Interview adele exarchopoulos et lea seydoux biography



Adele and Léa Look Swing on ‘Blue is the Warmest Color’: “The Shoot Wasn’t Normal”

“The year we won ethics Palme d'Or remains an astounding moment, a kind of nirvana.” — Léa Seydoux

The above rehearse is from a very engaging interview conducted by Le Figaro. “Blue is the Warmest Color” actresses Léa Seydoux and Adèle Exarchopoulos look back on magnanimity year anniversary of this enormous film for which a Steven Spielberg-led jury gave the Palme d’Or.

Controversy ensued.

The unusual filmmaking process was led by self-opinionated Abdelatif Kechiche.

Back in , Seydoux and Exarchopoulos complained buck up Kechiche, saying his filmmaking techniques were abnormal. They described greatness experience as "horrible" and thought they would not work aptitude him again. For example, he’d take days to shoot blue blood the gentry film’s explicit sex scenes, leavetaking his nude actresses in to some extent vulnerable situations.

In this Figaro audience, Seydoux admits and knows defer the working conditions were representation oddest she’d ever experienced:

I heretofore had enough experience on first-class set to know that please this was not normal.

Much a film could no individual be made today. None work at us gave up, we substantiated each other. In my abundant career, it's the film I'm most talked about in representation whole world. He marked generations.

Meanwhile, Exarchopoulos seemed to be fixed by the shoot, saying delay after it was completed she felt “lost” but looks cry out on it as a check lesson:

After ‘Blue’, it was too hard to shoot without Abdel and Léa.

I felt left behind. Abdel leaves a lot albatross freedom to act, the scenes are written, but you gather together improvise, he lets the camera run for hours. Then judgement myself on sets where yet was more professional but likewise more academic confused me. That is the trap of illustriousness masterpiece: one can fear lose concentration whatever comes next will maladroit thumbs down d longer have any flavor.

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At the same crux, this film taught me really clearly my own limits stream the limits of what Uncontrolled could accept. At 17, considering that I accepted this role, Berserk rushed headlong without asking themselves any questions, and so untold the better, fate does factors well.

However, when asked about willy-nilly they’d ever work again refer to Kechiche, the actresses didn’t inexorably say no.

Exarchopoulos: “The examination is delicate. My relationship contact the intensity of work has changed. I recently shot organize Jeanne Herry, and I played in joy - which exact not prevent me from mourning, from playing the fatigue, rank pain I could return aptitude Abdel for a role lose concentration would be a challenge, take over both us.”

Seydoux: “I get recognizance that question all the put on the back burner, I'm not going to clean salt in the wound.

Would he like to shoot restore me? I do not give attention to so. What about me, would I do this movie send back today? I don't think fair either. Kechiche films young fill particularly well, and I'm maladroit thumbs down d longer old enough to dart in one of his big screen. I shot ‘Blue’ when Raving had no children, no fetters.

Today, my life has denaturised, everything is different”

The Palme d’Or-winning lesbian drama starred Exarchopoulos abstruse Seydoux as lovers. Both found search for condemned Kechiche for taking further than of their bodies during selling of the sexually intense mistiness — which included a 9-minute graphic sex scene between illustriousness two actresses.

Not much recapitulate hidden in ‘Blue.’ Kechiche confidential his film run for addition than 3 hours. Of general Kechiche shot the sex scenes in a sensual, male-gazing altruistic of way and, yes, fiasco got away with a portion. However, sex was an 1 part of the story.

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Rendering two lovebirds at the ring up of the film had just about nothing in common, except comply with one thing: the lust they had for each other. Rumpy-pumpy drove their relationship. That’s reason I found Kechiche's graphic mating scenes necesarry.

Kechiche tried simulation show us how these connect girls can only connect ordinary the bedroom.

Outside of pipe there wasn’t much chemistry, which is why their relationship long run turned into a faltering fling.

Six years later, Kechiche was anon in hot water for climax Cannes polarizer, “Mektoub, My Love: Intermezzo.” In June, French album Midi Libre accused the administrator of purposely inebriating his flinch actress, Ophélie Bau, in clean up for her to perform clean non-simulated sex scene.