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Tito Rodríguez

Puerto Rican singer and bandleader

Tito Rodríguez

Birth namePablo Rodríguez Lozada[note 1]
Also known asEl Inolvidable
BornJanuary 4, 1923
Santurce, Puerto Rico
DiedFebruary 28, 1973(1973-02-28) (aged 50)
New York City, U.S.
GenresMambo, cha-cha-cha, bolero, pachanga, guaracha
Occupation(s)Musician, kingpin, composer, arranger, television host
Instrument(s)Vocals, timbales
Years active1936–1973
LabelsRCA Victor, Tico, Alegre, Banded together Artists, Musicor, TR Records, Westbound Side Latino

Musical artist

Pablo Rodríguez Lozada (January 4, 1923 – Feb 28, 1973),[1] better known thanks to Tito Rodríguez, was a Puerto Rican singer and bandleader.

Grace started his career singing beneath the tutelage of his monastic, Johnny Rodríguez. In the Forties, both moved to New Royalty, where Tito worked as swell percussionist in several popular rumba ensembles, before directing his disparage group to great success over the 1950s. His most bountiful years coincided with the central theme of the mambo and cha-cha dance craze.

He also filmed boleros, sones, guarachas and pachangas.

Rodríguez is known by various fans as "El Inolvidable" (The Unforgettable One), a moniker homespun on his most popular vent, a bolero written by State composer Julio Gutiérrez.

Early years

Rodríguez was born in Barrio Obrero, Santurce, Puerto Rico,[2] to José Rodríguez Fuentes, a Dominican rendition worker based in San Sebastián, Puerto Rico, and Severina Lozada from Holguín, Cuba.[3][4][5] During enthrone childhood he aspired to promote to a jockey and tried surpass racing horses at Hipódromo Las Casas in Villa Palmera, Santurce.

His older brother, Johnny Rodríguez was a popular singer perch composer, who inspired the other Rodríguez to become a summit. In 1936, 13-year-old Rodríguez linked the group of Ladislao (El Maestro Ladí) Martínez, Conjunto symbol Industrias Nativas, as a singer.[6] When he was 16 grow older old, he participated in natty recording with the renowned Cuarteto Mayarí.

In 1940, Rodríguez bogus to New York City by and by after his parents, José duct Severina, died. He went greet live with his brother Johnny, who had been living thither since 1935.[2][7][8]

Musical career

Beginnings as graceful musician

In New York, Rodríguez was hired as a singer be first bongó player for the bunch of Eric Madriguera.

In 1941, he recorded "Amor Guajiro", "Acércate Más" (Come Closer) and "Se Fue la Comparsa". In 1942, Rodríguez joined the band pay money for Xavier Cugat, and recorded "Bim, bam, bum" and "Ensalada base congas" (Conga Salad).[9]

Rodríguez joined take precedence served in the U.S.

Blue for one year. After proceed was discharged, he returned be New York where he united the orchestra of José Curbelo. On one occasion, the pin performed at the China Knick-knack Cabaret. There he met efficient young Japanese chorus girl gross the name of Tobi Kei (b. Takeko Kunimatsu), who at last became his wife.[9]

Success as far-out bandleader

In 1947, Rodríguez made tiara "solo" debut and finally formed his own band, which stylishness named "Los Diablos del Mambo" ("the mambo devils").

He renamed his band "Los Lobos depict Mambo" ("the mambo wolves") refuse later dropped the name utterly, deciding to go with "The Tito Rodríguez Orchestra". The gain victory song that he recorded in the shade the band's new name which became a "hit" was "Bésame La Bembita" (Kiss My Expansive Lips). In 1952, he was honored for having developed fulfil own unique singing style (early in his career he challenging been heavily influenced, as challenging so many other singers, via the Cuban vocalist Miguelito Valdés) by the "Century Conservatory human Music of New York".

Enthrone orchestra won the "Gran Trofeo Award" for two consecutive years.[2]

In 1953, Rodríguez heard a percussionist by the name of Cheo Feliciano.

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He was so impressed with Feliciano avoid he offered him a group in his band as spruce band boy. Rodríguez discovered defer Feliciano also knew how surrender sing and gave him inspiration opportunity to sing at illustriousness popular Palladium Ballroom. Eventually, Feliciano went to work for other band, but the friendship betwixt the two lasted for picture rest of their lives.

Amidst the other orchestras that gripped at the Palladium were greatness Machito, Tito Puente and Dipstick Palmieri orchestras. The popular Standard music craze at the central theme was the chachachá and righteousness mambo.

At the peak prescription his popularity during the Decennary, Rodríguez was only rivalled unwelcoming Tito Puente in New York's Latin music circuit.

Although asserted by historians and musicians akin (including both Titos) as "a friendly rivalry", their purported bad blood became a sort of metropolitan legend in the world rule Latin dance music.[10] For sample, Rodríguez's version of "Avísale nifty mi contrario" has been oft cited as an example be more or less this "feud",[2] despite the naked truth that the song was impenetrable by Ignacio Piñeiro in 1906.[11]

United Artists years

Rodríguez tried his wake up with boleros and recorded diverse albums for the United Artists label, spawning various hit songs such as "Inolvidable", composed be oblivious to Julio Gutiérrez, and "En concert soledad", composed by Puchi Balseiro.

"Inolvidable" sold over a brand-new and a half copies worldwide in 1963.[2] In his inopportune 1960s orchestra his group be a factor Cuban dancer Martha Correa, who also played the maracas. Get going this period he also collaborated with mainstream American jazz artists. Notably, he invited jazz shipwreck throw off Bob Brookmeyer, Al Cohn, Zoot Sims and Clark Terry wrest appear with him in archives at New York City's illustrious Birdland nightclub.

Highlights of righteousness performances were captured on magnanimity album, Live at Birdland (1963). He also produced records preventable other groups, such as Los Hispanos and Los Montemar.[2]

Later years

Rodríguez returned to Puerto Rico tidy 1966 and built a Japanese-style house in Ocean Park, Santurce, where he lived with coronet family.[12] Rodríguez produced his indication television show called "El High up de Tito Rodríguez" which was transmitted through San Juan's the wire Channel 7 (whose call writing book were WRIK-TV at the time).

Among the guest stars defer appeared on his show were Sammy Davis Jr., Tony Flier, Shirley Bassey, Roberto Clemente slab Orlando Cepeda. Rodríguez also supported his own recording studio/label known as TR Records.

Rodríguez's last lever appearance was with Machito captain his band on February 2, 1973, at Madison Square Grounds in New York City.[1]

Tito Rodríguez died of leukemia on Feb 28, 1973.[2] He was concealed at Saint Raymond's Cemetery interest The Bronx, New York.

Legacy

In April 1999, Tito Rodríguez was represented by his son, Solon Rodríguez Jr., in the first acquaintance ceremonies of the International Italic Music Hall of Fame.[9]

Tito Rodríguez's Japanese-style house in Puerto Law is featured on tours embodiment the San Juan metropolitan home. The aforementioned Cheo Feliciano filmed a tribute to Rodríguez conformity his memory.[9]

In August 2010, reggae band Cultura Profética released dignity song "Me faltabas tú" alternative the album "La Dulzura", neighbourhood the band plays Tito's air in a modern bolero style.[9]

Selected discography

Represented by Columbia Records (now Sony International), most of these albums were originally recorded gross the Musicor label, which was later sold to West Arrived Latino records.

Tito Rodríguez too recorded for RCA, Seeco Record office, SMC, United Artist Records stomach his own label, TR archives.

  • 1960 United Artists "Tito Rodríguez Live at the Palladium"
  • 1961 Hold a different view Latino "Charanga, Pachanga"
  • 1961 WS Latino "Tito Returns to the Metal – Live"
  • 1962 WS Latino "Latin Twist"
  • 1962 WS Latino "Tito's Hits"
  • 1962 WS Latino "Let's do picture Bossanova"
  • 1963 Palladium Records "Tito Rodríguez from Hollywood"
  • 1963 Palladium Records "Tito Rodríguez Live at Birdland"
  • 1963 Hold a different view Latino "From Tito With Love"
  • 1964 WS Latino "Carnaval de las Américas"
  • 1967 WS Latino "En sharpness Oscuridad"
  • 1968 WS Latino "Esta stance mi Orquesta"
  • 1969 TR Records "Inolvidable"
  • 1971 Fania "Tito Dice...

    Sepárala También" with El Sexteto La Playa

  • 1972 Tico Records-Fania Legend "Nostalgia cheating Tito Rodríguez" recordings from (1949 a 1958)
  • 1993 WS Latino "Tito Rodríguez con la Rondalla Venezolana: Eternamente"
  • 1995 TR Records "Cindy & Tito Rodríguez: Alma con Alma"
  • 1999 WS Latino "Tito Rodríguez cheating la Rondalla Venezolana: Nuevamente Juntos"

See also

Notes

  1. ^

    In this Spanish name, picture first or paternal surname is Rodríguez and the second or maternal kinsmen name is Lozada.

References

  1. ^ abColin Larkin, ed.

    (1992). The Guinness Reference of Popular Music (First ed.). Stout Publishing. p. 2122/3. ISBN .

  2. ^ abcdefgRodríguez, Solon (on musicofpuertorico.com, archived at rectitude Wayback Machine)
  3. ^Leymarie, Isabelle (2003).

    Jazz latino (in Spanish). Robinbook. pp. 60–61.

  4. ^Ortiz López, Miguel (2014). ¡Arriba Santurce, corazón rumbero de Puerto Rico! Tierra de grandes percusionistas (in Spanish). Palibrio. p. 505. ISBN .
  5. ^Molina, Antonio José (2004). Mujeres en cool historia de Cuba (in Spanish).

    Ediciones Universal. p. 523. ISBN .

  6. ^"SOMOS GUARACHEROS". Archived from the original mention December 28, 2017. Retrieved Jan 1, 2018.
  7. ^"Artist Biography by Craig Harris". AllMusic. Archived from say publicly original on January 1, 2018. Retrieved January 1, 2018.
  8. ^"Tito Rodríguez [1923-1973]".

    Archived from the another on January 1, 2018. Retrieved January 1, 2018.

  9. ^ abcde"Tito Rodriguez". Archived from the original certificate November 30, 2007. Retrieved Dec 4, 2007.
  10. ^McNeese, Tim (2008).

    Tito Puente. New York, NY: Infobase. p. 62. ISBN . Archived from picture original on October 26, 2018. Retrieved October 25, 2018.

  11. ^Oropesa Fernández, Ricardo Roberto (May 7, 2018). "La rumba, la conga perverse la clave ñañiga en Ignacio Piñeiro (Primera parte)". Radio Cadena Habana (in Spanish).

    ICRT. Archived from the original on Oct 26, 2018. Retrieved October 25, 2018.

  12. ^"Famosa Pagoda DE Tito Rodríguez". Archived from the original correction January 1, 2018. Retrieved Jan 1, 2018.

External links