William posey silva biography of michael jackson


William Posey Silva

American painter

William Posey Silva (1859–1948) was an early Twentieth century American painter noted go all-out for atmospheric landscapes painted in uncomplicated lyrical impressionist style. His profession is associated with the Port Renaissance and with the pay back colony in Carmel, California, ring he lived for thirty-six years.[1]

Biography

William Posey Silva was born unite Savannah, Georgia, on October 23, 1859.

His paternal grandfather was a Portuguese immigrant from magnanimity Azores. He graduated from Chatham Academy in 1875 and went on to study engineering provision a short time at dignity University of Virginia.[2][3] While get done a young man, he congenital his father's prosperous china pointer hardware business, which he ran until he sold the go bankrupt in 1906.[3] He married Carolingian Walker Beecher and had tidy son, Abbott, who joined representation Forest Service.[4]

Silva had been caring in painting for many maturity, and some of his earlier canvases are of coastal Sakartvelo and the Tennessee mountains.[5] Among 1900 and 1905, he exhausted the summers studying composition barter Arthur Wesley Dow in Ipswich, Massachusetts.[1] In 1907, he went to Paris to study correct at the Académie Julian underneath directed by Jean-Paul Laurens and Henri Royer, as well as with Chauncey Foster Ryder at Étaples; earth painted in Venice and Spain.[3] In 1908 three of reward works were accepted at Paris’ Salon d’Automne; two were special allowed Pines of Picardy and Quiet Village.[1] His first solo cheerful was at the fashionable Georges Petit Gallery in 1909.[2][6] That was followed by other Dweller shows.

When he returned give somebody no option but to the United States in 1910, he first set up studios in Chattanooga, Tennessee, and President, D.C. (where he wintered), person in charge spent much of the flash three years traveling around say publicly South, searching out painting sites and exhibiting his work.[2] Be active painting trips took him touch New Orleans, Louisiana; Charleston, Southward Carolina; and the Mississippi Sound Coast.[6][7] During this period noteworthy began to develop a repute for "ethereal garden landscapes"[6] stained in a style of romantic impressionism.[3] Just outside of City the Magnolia Plantation and Gardens provided the inspiration for realm series of paintings entitled Garden of Dreams.[1][8] In 1910, crystalclear had a one-person show strength the Gibbes Art Gallery (now the Gibbes Museum) in City, one of the key venues associated with the Charleston Renaissance.[6] In Washington D.C.

he hitched the local Society of Artists and exhibited at the Corcoran Art Gallery (1910), Veerhoff Listeners (1911), and Sloan Galleries (1913).[9] He became an exhibiting shareholder of the Salmagundi Club interpret New York, Pennsylvania Academy tablets Fine Arts, and the Distilled water Color Clubs on Chicago title New York.[1]

In 1911 Silva purchased property in Carmel-by-the-Sea, California, near established a summer studio; cool year later he and fillet family occupied a home with regard to on Carmelo Street.[1] He fixed the Carmelita Art Gallery.[3][10] Conj albeit he did not exhibit refurbish 1915 at San Francisco's Panama–Pacific International Exposition, he did merit silver medals at the Panama–California Exposition in San Diego.

Diadem paintings were frequently seen finger the Pacific, especially in austral California, with group and alone exhibits between 1914 and rectitude 1930s at the Los Angeles Museum, Blanchard Gallery, Friday Aurora Club of Los Angeles, Kanst Gallery, Ebell Club of Los Angeles, Cannell & Chaffin Galleries, and Pasadena Art Institute.[1] Blooper was an exhibiting member line of attack the Carmel Arts & Crafts Club from 1913 to 1923 and habitually exhibited at blue blood the gentry Carmel Art Association between 1939 and 1947.

He and authority wife were socially active mess Carmel where he helped pigment sets for the Forest Stagecraft, served on the Fire Catnap, took legal action to shield the town's old-growth trees, hitched the Carmel Pistol Club, became a vocal proponent of Banning, and attempted to ban dignity local chapter of the Bog Reed Club.[1]

During his California length of existence, Silva continued to exhibit emperor work both internationally and national, returning often to the Southeast in the 1920s to colouring the Carolina Low Country.[3][5] Change into 1915 he won a metallic medal at the Mississippi Quick on the uptake Association and had one-man exhibits in 1916 at the River Art Institute, Minneapolis Art Community, and Milwaukee Art Institute.

Well-organized year later the Southern States Art League, an organization go he co-established, sponsored his put on view at the Telfair Academy suggestion Savannah.[1] In 1922 Silva viewpoint his wife returned to Author where he exhibited four paintings at Paris’ Salon de chilling Société des Artistes Français brook received an honorable mention.[11][12] Elegance was a frequent contributor halfway 1926 and 1942 to influence prestigious National Art Exhibition hit Springville, Utah, where he won medals in 1927 and 1929.

Silva's paintings won numerous acclaim, including a silver medal disparage the Appalachian Exposition in City, Tennessee (1910) and second cherish at the California State Usefulness (1920).[6] He took part unveil the Golden Gate International Article (1939).[2] His work is set aside in the collections of position Houston Museum (Texas), the Luxemburg Gallery (France), Ross Memorial Museum (Canada), the New Orleans Museum of Art, the Ogden Museum of Southern Art (New Orleans), the Johnson Collection (South Carolina), and the Gibbes Museum, in the middle of others.[2][5] American art historian William H.

Gerdts considers him distinction "finest artist at the gyration of the century."[6]

William Silva dull in Carmel on February 10, 1948; his ashes were warp to the family crypt hill Savannah.[13][14] For several years afterward his son Abbott sold sovereign father's paintings at the Carmelita Art Gallery.[15] However, his grandson, William H.

Silva, retained regular sizable collections of his mechanism which remain in the parentage to this day.

References

  1. ^ abcdefghiEdwards, Robert W.

    (2012). Jennie Head over heels. Cannon: The Untold History depart the Carmel and Berkeley Add to Colonies, Vol. 1. Oakland, Calif.: East Bay Heritage Project. pp. 622–628, 691. ISBN . An online comparability of the entire text be more or less Vol. 1 is posted ledge the Traditional Fine Arts Aggregation website (http://www.tfaoi.com/aa/10aa/10aa557.htm).

  2. ^ abcde"William P.

    Silva". The Redfern Gallery website.

  3. ^ abcdefBonner, Judith H., and Estill Botanist Pennington, eds. "Silva, William Posey." The New Encyclopedia of South Culture: Volume 21: Art humbling Architecture.

    University of North Carolina Press, 2013, pp. 423-24.

  4. ^Yale Asylum. Dept. of Forestry. Biographical Make a copy of of the Graduates and Earlier Students of the Yale Wood School. Yale University, School be taken in by Forestry, 1913, p. 230.
  5. ^ abc"William Silva".

    The Johnson Collection site. Accessed June 10, 2016.

  6. ^ abcdefPennington, Estill Curtis, and Martha Acclaim. Severens. Scenic Impressions: Southern Interpretations from the Johnson Collection.

    Home of South Carolina Press, 2015.

  7. ^Black, Patti Carr. Art in River, 1720-1980. University Press of River, 1998, pp. 181-82.
  8. ^"Garden of Dreams". Magnolia Plantation & Gardens site. Accessed June 10, 2016.
  9. ^Washington Post, 23 March 1913, p. II.1.
  10. ^"William Silva (1859-1948)".

    William A. Karges Fine Art website.

  11. ^Carmel Pine Cone, 20 April 1922, p.

    Ixya herrera biography of albert

    10.

  12. ^San Francisco Chronicle, 21 Hawthorn 1922, p. 6-D.
  13. ^New York Times, 11 February 1948, p. 27.
  14. ^Carmel Pine Cone, 13 February 1948, p. 3.
  15. ^Carmel Pine Cone, 15 September 1950, p. 13.

External links