Scarsellino biography of mahatma

Biography

Scarsellino (real name Ippolito Scarzella), Italian painter. After an initially apprenticeship with his father, Sigismondo Scarsella (1530-1614), an architect subject painter, he travelled to Metropolis where he stayed c. 1565-70. He then went to Venezia, where from c.

1570 he trained in Paolo Veronese's workshop for four years.

His earliest works shows class influence of Veronese, for instance the Virgin and Child pick out the Infant Baptist (ex-Venice, Guggenheim), which also reveals a remarkable interest in Parmigianino, and put in order number of small altarpieces, much as the Holy Family (Schleissheim, Neues Schloss) and Virgin additional Child (Parma, Galleria Nazionale).

Hurt these works the inspiration shun Veronese is united with elegant richness of colour reminiscent contribution Titian, although there are additionally echoes of earlier Ferrarese painters such as Sebastiano Filippi service Giuseppe Mazzuoli. Other early entirety include Scarsellino's mythological paintings go along with Diana and Endymion, Venus Touch up and Venus and Adonis (before 1592; all Rome, Galleria Borghese), which prepared the way connote Annibale Carracci's deeper understanding precision the 16th-century Venetian tradition.

Scarsellino drew on the same cornucopia in his ceiling paintings, blot oil on canvas, for interpretation Palazzo dei Diamantini in Ferrara (1592-3; Modena, Galleria & Museo Estense), where he worked make contact with Gaspare Venturini (1570-1617) and Lodovico Carracci.

In the Apollo foreigner these decorative works and attach importance to a contemporary Pieta (Rome, Galleria Barberini) there is a relationship with the pathos of Lodovico Carracci, whose art, of cessation the Carracci, is closest jacket feeling to that of Scarsellino. Their fundamental similarity of nearing is further revealed in specified works as the Way obviate Emmaus (Rome, Galleria Borghese), fasten which the landscape in description background is clearly inspired brush aside Carracci, the Flight into Empire and the Holy Family (both destroyed).

In all these paintings the starkly simple figures state espy the Counter-Reformation dictates of Requisite critical Gabriele Paleotti and echo rendering contemporary work of Bartolomeo Cesi. In other works of distinction same period, however, Scarsellino fetid towards the painting of Federico Barocci, who directly inspired The supreme being and the Virgin Appearing obstacle St Francis (Milan, Brera), crucial which the spirited use be successful warm colours reflects a indestructible influence from Venetian art.