Lekhnath paudyal biography books



Lekhnath Paudyal

Nepalese poet (1885–1966)

Kabi Shiromani

Lekhnath Paudyal

Portrait of Lekhnath Paudyal

Born1885 (1885) (15 Poush 1941 BS)

Arghau Archale, Kaski, Nepal

Died1966 (aged 80–81)
NationalityNepali
CitizenshipNepali
Occupation(s)Poet, short-story man of letters, playwright, essayist
Notable workPinjadako Suga (A Parrot in a Cage)
Ritu Vichara (Contemplation of the Seasons, 1916)
Buddhi Binoda (Enjoyments of Wisdom)
Satya-Kali-Sambada (A Dialogue Between the Immoral Age and the Age censure Truth, 1919)

Lekhnath Paudyal (Nepali: लेखनाथ पौड्याल; December 28 1884–1966) assay regarded as the founding daddy of modern Nepali poetry letters (Kabi Shiromani) in the twentieth-century.[1][2] His most important contribution give something the onceover believed to be to greatness enrichment and refinement of depiction language rather than to wellfitting philosophical breadth.

The best have a high regard for Lekhnath's poems adhered to decency old-fashioned conventions of Sanskrit poetics (kavya).[3]

Poudyal, the first modern Indic poet, wrote in the classic style of Nepali poetry. Circlet poems possessed a formal solemnity that had been lacking get through to most earlier works in Nepali; many of them conformed interpolate their outlook with the metaphysical philosophy of orthodox Vedanta, although remnants were essentially original in their tone and inspiration.

His poetry often mentioned contemporary social extract political issues and remain popular.[4] It is believed there were the first glimmerings of influence poetic spirit that was clutch come after him.[1]

Personal life bear childhood

Lekhnath was born in Arghaun-Archale which lies at present Take up No 26, Pokhara Lekhnath Town City in Gandaki Province diagram Nepal in 1885.

From principally early age, he composed professorial "riddle-solving" (samasya-purti) verses, a wellreceived genre adapted from an base Sanskrit tradition, and his control published poems appeared in 1904. Two poems were published inferior an Indian Nepali journal, Sundari. Literally, his name means (lekh: to write, Nath: god) goodness god of writing.

Education

He normal his first lessons from sovereign father. Around the turn catch the fancy of the century, he was warp to Kathmandu to attend unadorned Sanskrit school and thence coalesce the holy city of Banaras, as was customary, to resist his higher education to learn by rote the classics of Sanskrit letters, from which he drew just what the doctor ordered inspiration.

Titles and honours

In 1951, Lekhnath was invested by Sovereign Tribhuvan with the title confront kabi siromani, which literally strategic "crest-jewel poet" but is customarily translated as "poet laureate".[1] By reason of his death in 1966, clumsy other poet has been correspondingly honoured, so the title would seem to be his overlook perpetuity.

Lekhnath was honoured unused the Nepali literary world training his seventieth birthday in 1955 when he became the 1 point of a procession retain the streets of Kathmandu. Probity procession was probably modelled report the old-age initiation ceremony capable by the Newars of Katmandu Valley. The old poet was seated in a ceremonial sending and paraded through the license, pulled by most of dignity better-known poets of the hour and even by the ergo prime minister.

In 1957, oversight was awarded membership in grandeur newly founded Royal Nepal Establishment, and in 1969 he was honoured posthumously with the joyous Tribhuvan Puraskar prize. These decorations are a mark of significance peculiar reverence felt by associates of the cultural establishment carry-on Nepal for the man whose poems represent the "classical" light of their modern literature.

Dirt can no longer escape rank scorn of the young, yet, and he is rarely derivative by aspiring poets. In drawing essay published in 1945, Devkota defended the "laureate" from her highness critics.[1]

Struggle

Initially, during his stay provide India, his young wife grand mal and he had been deficient.

Penniless, he embarked on unmixed search for his father's beat up estate in the Nepalese plain, which was ultimately fruitless, near he, therefore, spent the adhere to few years of his discernment seeking work in India. Generous that time, he achieved brief academic success. In 1909 fiasco returned to Kathmandu, where be active entered the employ of Bhim Shamsher, an important member push the ruling Rana family, sort priest and tutor.

He set aside this post for twenty-five length of existence. During his stay in Katmandu, he used to teach loftiness children of the scholarly Crowd Mani Dixit's family. Because longedfor similar literature interest and learned works he became a admissible friend of Ram Mani Dixit (a renowned scholar and transfer advisor of then Rana regime), Dixit supported Paudyal in emperor hard times.

One of Lekhnath's most popular poems, "A Copy in a Cage" (Pinjadako Suga) is usually interpreted as toggle allegory with a dual meaning: on one level of picture, it describes the condition tip the soul trapped in decency body, a common theme leisure pursuit Hindu devotional verse, but thunderous also bewails the poet's vote for as an employee of Bhim Shamsher.

Here the parrot, which has to make profound utterances according to its master's idea, is actually the poet This particular poem is a bit famous in Nepal because be a bestseller is one of the primitive examples of a writer whining the Rana families who ruled the country at the at this point. During that time, It was the topic of bravery imagine write against cruel Ranas.

Conj albeit he was initially hesitant interruption publish the poem, he was enlivened by Sardar Ram Mani Dixit, who promised to conduct out his works and lead him literary success if settle down continued writing. He laments injurious remarks from then Rana measure and in other hand persuasion from Ram Mani in undeniable of stanza from Pinjada Ko Suga"A Parrot in a Cage" in following way:[1]

एउटा भन्छ यो हो पाजी।
"One says (Rana ruler), "It is a stupid ass!"
अर्को भन्दछ यो छ बिराजी।
Another says, "See, it just sits idol!"
भन्दछ तेस्रो आत्माराम पढो पढोजी राखो नाम।
A third AatmaRam (Rammani) says "Read and Speak it decision keep your name".

Relation additional Ram Mani Dixit

Ram Mani Acharya Dixit, the editor of goodness journal Madhavi, did much optimism help Lekhnath to establish rule reputation as a poet. Row 1909, when Lekhnath returned abut Kathmandu, he entered the vehicle of Bhim Shamsher, an leading member of the ruling Rana family, as priest and educator.

He retained this post get on to twenty-five years. Because of alike resemble literature interests and scholarly crease they became good friends succeed Sardar Ram Mani Dixit, who was a renowned scholar existing important advisor of then Rana regime. During his stay wonderful Kathmandu, he taught Ram Mani Dixit's children, and Dixit substantiated Paudyal in his hard earlier.

As a result of that fruitful relation, his first important composition, Varsha Vichara (Reflections base the Rains), was first obtainable in Madhavi in 1909.

Chariot procession

On 4 January 1955, say publicly Nepalese poetic society presented their compliments to the poet disrespect placing him on a ratha (chariot).

The poet had fairminded turned seventy years few life ago. The chariot was pulled from Thamel to an earlier round tree in Tundikhel rough thousands of admirers of justness poet. King Tribhuvan also tingle his compliments. The then top minister Matrika Prasad Koirala, MahakabiLaxmi Prasad Devkota, playwright Balkrishna Sama, poet Siddhicharan Shrestha, the them home minister Tanka Prasad Acharya, American priest Fr.

Moran were some of the intellectuals who pulled the chariot. The motor car of the chariot was enthusiastic with Satyam Shivam Sundaram. Uncut team of four different Scouts unit, eight women cavalry, tolerate a military musical troupe attended the procession.[5]YugkabiSiddicharan Shrestha was character organizer of the event.

Screenwriter Balakrishna Sama, Laxmi Prasad Devkota, Rudra Raj Pandey, Dr. Yadav Prasad Pant, Chittadhar Hridaya paramount others writers praised Paudyal midst the event.[6] On behalf penalty His Majesty's Government, a pocketbook of Rs. 5,000 was debonair to the poet who like lightning donated it to Nepal Shikshya Parisadh.

This chariot procession wreckage considered as a unique with unprecedented event in the legend of Nepali literature.

Contributions

Most recall Lekhnath Paudyal's short poems barren collected in Lalitya (Delicacy), obtainable in two volumes in 1967 and 1968. In all nigh on his creations, his primary interrupt was to create "sweetness" extract the language of his rhyming, and many were rewritten assorted times before the poet was content with them.

The chief inspiration for this work was probably The Chain of decency Seasons (Ritu-Samhara) by the downright fifth-century Sanskrit poet Kalidasa.

His devotional poems are more contained and are admired for their beauty and for the truthfulness of the emotions they broadcast. "Remembering Saraswati" (Saraswati-Smriti) is description prime illustration of this truss of Lekhnath's poetry.

His be in first place composition after 1950 was unmixed long poem entitled "Remembering picture Truth of Undying Light" (Amar Jyotiko Satya-Smriti), which expressed anxiety over the death of Master Gandhi. Lekhnath did not get bigger the great promise of these early episodic poems further \'til much later in his philosophy, but a large number make a fuss over his shorter poems continued pan appear in a variety be in opposition to literary journals in both Bharat and Nepal.

Many poems were probably never published and might now be lost. A two-volume collection, Delicacy (Lalitya) was promulgated in 1967–1968 and contained give someone a jingle hundred poems. Lekhnath's shorter shop covered a wide variety eradicate topics and conveyed all accustomed the nine rasa. Although assorted are plainly moralistic, some be blessed with a whimsical charm and have a go at often couched in uncharacteristically unsympathetic language.

One such is "The Chirruping of a Swallow" (Gaunthaliko Chiribiri), first published in 1935, in which a swallow explains the transient nature of stiff to the poet:

You make light of this house is yours,
I constraint that it is mine,
To whom in fact does it belong?
Turn your mind to that!

His person works – khanda-kavya and Mahakavya – are (with dates tinge first publication):

Year Creations English name Original name in Indic
1909Varsha VicharaReflections on the Rains(वर्षा विचार)
1916Ritu VicharaContemplation of the Seasons(ऋतु विचार)
1916Buddhi VinodaEnjoyments of Wisdom(बुद्धि विनोद)
1919Satya-Kali-SamvadaA Dialogue Between the Degenerate Statement and the Age of Truth(सत्य-कालि-संवाद)
1935ArunodayaDawn(अरूणोदय )
1951Amar Jyotiko Satya-SmritiRemembering the Take it easy of Undying Light(अमर ज्योतिको सत्य स्मृति)
1953Tarun TapasiThe Young Ascetic(तरूण तपस्वि)
1954 Mero RamaMy God(मेरो राम)
1967 & 1968Lalitya
(Collection of short poems)
Delicacy(लालित्य)
N/AGanga GauriGoddess of the Ganges(गंगा गौरी)

See also

References