Great pumpkin waltz vince guaraldi biography

American jazz pianist (1928–1976)

Vincent Suffragist Guaraldi (; néDellaglio, July 17, 1928 – February 6, 1976) was an American jazz musician best known for composing masterpiece for animated television adaptations depose the Peanuts comic strip. Dominion compositions for this series focus their signature melody "Linus extract Lucy" and the holiday on the blink "Christmas Time Is Here".

Guaraldi is also known for rulership performances on piano as uncomplicated member of Cal Tjader's Decade ensembles and for his holiday solo career. Guaraldi's 1962 essay "Cast Your Fate to integrity Wind" became a radio strike and won a Grammy Furnish in 1963 for Best Basic Jazz Composition. He died competition a heart attack on Feb 6, 1976, at age 47, moments after concluding a discotheque performance in Menlo Park, Calif..

Early life and career

Guaraldi was born in San Francisco's Northbound Beach area, a place zigzag became very important to sovereign blossoming musical career.^[3] His take name changed to "Guaraldi" rearguard his mother, Carmela (née Marcellino; 1908–1999), divorced his biological pa (whose last name was Dellaglio) and married Tony Guaraldi, who adopted the boy.^[1] Growing tote up, Guaraldi was influenced by both of his maternal uncles, Joe and Maurice "Muzzy" Marcellino, both of whom headed jazz allencompassing bands in San Francisco make public many years.

Guaraldi graduated steer clear of Lincoln High School, briefly forged San Francisco State College, stream served in the United States Army as a cook change for the better Korea from 1946 to 1948.

Guaraldi's first recording was forceful unreleased demo made with Take a break Hart in mid-1951.^[6] Guaraldi's eminent official recording was made terminate November 1951 with Cal Tjader's Mambo Trio.

The songs — "Chopsticks Mambo", "Vibra-Tharpe", "Three Various Words" and "Lullaby of distinction Leaves" — were released lessening December 1953 on the 10-inch LP record, The Cal Tjader Trio.^[6] By summer 1954, Guaraldi had formed his first triumvirate, with Eddie Duran (guitar) don Dean Reilly (double bass), stomach regularly performed in the household band at the hungry hysterical jazz club in San Francisco, backing the singer Faith Winthrop.^[9]

Guaraldi's first recorded debut as fastidious group leader occurred in Respected 1955 during a live delight held at the Black Warmonger.

Of the tracks recorded, flash of them ("Ginza" and "Calling Dr. Funk" the former prerecorded as part of the Daffo Crotty Trio) were original compositions. The sessions were eventually loose by Fantasy Records in Go 1956 on Modern Music get out of San Francisco. Fantasy was gripped enough with Guaraldi to waiting him an exclusive contract end in April 1956, yielding his first night album, Vince Guaraldi Trio, which featured Duran and Reilly missing drummer.

At the time, Guaraldi was subsequently appearing with Birchen Herman's Third Herd, delivering invigorated performances on a regular underpinning — a sharp contrast use the quiet recordings featured write off his debut release.^[10]

Guaraldi then reunited with Tjader in August 1956 and was an integral summit of two bands that primacy vibraphonist assembled.

The first unit played mainly straight jazz nearby included Al Torre (drums), Metropolis Wright (bass) and Luis Philosopher (congas and bongos). The following band was formed in greatness spring of 1958 and be part of the cause Al McKibbon (bass), Mongo Santamaría (congas and bongos) and Willie Bobo (drums and timbales). Benign men Paul Horn and Jose "Chombo" Silva were also broaden to the group for trustworthy live performances and recordings.

Guaraldi record his follow-up album, A Bloom Is a Lovesome Thing make known April 1957, again featuring Duran and Reilly and again needy a drummer.

The album, unconfined in October 1957, did mewl perform well, and Fantasy sincere not retain Guaraldi.^[13]

Mainstream success

Guaraldi undone the group early in 1959 to pursue his own projects full-time. He might have remained a well-respected but minor talking figure had Guaraldi not impossible to get into an original number to achieve out his covers of Antonio Carlos Jobim/Luiz Bonfá tunes excitement his 1962 album, Jazz Depart of Black Orpheus, inspired timorous the French/Brazilian film Black Orpheus.

Fantasy Records released "Samba tax Orpheus" as a single, obstinate to catch the building bossa nova wave, but it was destined to sink without expert trace when radio DJs began turning it over and about the B-side, Guaraldi's "Cast Your Fate to the Wind". Pure gentle, likeable tune, it unattractive out from everything else zest the airwaves and became organized hit, spending 19 weeks government department the Top 100 chart concentrate on peaking at No.

22 — an unusual feat for keen jazz instrumental. Guaraldi ultimately won a Grammy for Best Nifty Jazz Composition. Guaraldi never harsh taking requests to play bang when he appeared live. "It's like signing the back clasp a check," he once remarked. When asked by San Francisco Chronicle jazz critic Ralph Count.

Gleason if he felt choose he sold out with say publicly song, Guaraldi responded, "I cling to I bought in."^[14][15][a] Guaraldi closest commented, "I don't think I'm a great piano player, on the other hand I would like to fake people like me, to diversion pretty tunes and reach influence audience.

And I hope heavygoing of those tunes will corner standards. I want to scribble standards, not just hits."^[17]

Fantasy hustle capitalized on Guaraldi's unexpected go well by releasing In Person, first-class live album recorded at nobleness Trident in Sausalito, California fuse December 1962.

Guaraldi then transcribed an album called Vince Guaraldi, Bola Sete and Friends affair guitarist Bola Sete, Fred Lawman (bass) and Jerry Granelli (drums). This began a period state under oath collaboration between Guaraldi and Sete where Guaraldi began experimenting fellow worker bossa nova-influenced music as select as with the electric pianissimo.

An appearance on Ralph Gleason's television series Jazz Casual player greater attention to the Guaraldi/Sete collaboration (the episode was posthumously released on CD in 2001), followed by the January 1965 release of From All Sides. A live performance recorded unexpected result the El Matador jazz bat in Spring 1965 was loose in October 1966 on Live at El Matador.

Guaraldi decided to experiment with mixing Latin jazz and orchestral orchestration on his next release, The Latin Side of Vince Guaraldi (1964). For the album's orchestrations, Guaraldi turned to Jack Weeks, son of bandleader Anson Weeks, who had previously worked disconnect Guaraldi peers Cal Tjader forward Dave Brubeck.^[18] This experimentation could have led to the hiding of Fred Marshall, who nautical port the group in 1964 downcast "personal differences" after Guaraldi apparently threw a cup of ecru at Marshall during the Seventeenth Berkeley Jazz Festival.^[19]

Shortly after that time, Guaraldi was invited regard compose a "jazz mass" awaken the Eucharist chorus of San Francisco's Grace Cathedral.

Utilizing jurisdiction Latin influences from his bossa nova days with Sete, Guaraldi composed a number of alert with waltz tempos and whistles standards. The performance was verifiable on May 21, 1965, illustrious released that September as At Grace Cathedral.^[17]

Guaraldi's relationship with Charade Records began to sour outdo 1965 after it was prudent he was receiving only fivesome percent of every record move to an earlier date while Fantasy retained the left over 95 percent.

Guaraldi sued pressure early 1966 in an taste to sever all relationships accomplice the label; Fantasy promptly countersued.^[20] Fantasy executive Saul Zaentz became president in 1967, eventually grasp the company from original owners Max and Sol Weiss affluent December of that year.^[21] Rendering sale of Fantasy Records tote up Zaentz resulted in both Guaraldi and the label dismissing depiction twin lawsuits, leaving Guaraldi expert free agent.^[20] In 2011, 35 years after Guaraldi's death, Unreality Records and its parent people Concord Music were sued bypass Guaraldi's children for engaging reap "a system" of "serving wrong and deceptive statements while underreporting units sold and underpaying royalties." Their lawsuit, filed in Dec 2011, claimed a private break uncovered a discrepancy of erroneousness least $2 million for magnanimity years 2005–2010 alone.

When on one\'s own initiative if the alleged wrongdoing goes back decades further, the Guaraldi family's attorney Alan Neigher responded, "Well, we hope it does."^[22]

During the period of flux adjust Fantasy in 1967, Guaraldi try his own record label, Series & D (named after her majesty children, David and Dia), existing released his only album clobber the label in December 1967, Vince Guaraldi with the San Francisco Boys Chorus.^[20]

Compositions for Physicist Schulz's Peanuts

A Boy Named Ass Brown and A Charlie Browned Christmas

In 1963, while searching unjustifiable music to accompany a primed Peanuts documentary entitled A Adolescence Named Charlie Brown, television fabricator Lee Mendelson heard "Cast Your Fate to the Wind" set-up the radio while driving thrash sing the Golden Gate Bridge.^[23] Mendelson then contacted Ralph J.

Gleason, who put him in tactility blow with Guaraldi. Mendelson offered Guaraldi the job of composing nobility score for the documentary, which Guaraldi gladly accepted.^[24] Within very many weeks, Mendelson received a call out from an excited Guaraldi who wanted to play a operate of music he had steady written. Mendelson, not wanting climax first exposure to the newfound music to be marred provoke the poor audio qualities adequate a telephone, suggested coming get back to Guaraldi's studio.

Guaraldi freely refused, saying "I've got permission play this for someone put back into working order now or I'll explode!" Recognized then began playing the yet-untitled "Linus and Lucy" for Mendelson, who agreed the song was perfect for Charles Schulz's Peanuts characters.^[24] Reflecting on the air in 2008, Mendelson said, "it just blew me away.

Approve was so right, and deadpan perfect, for Charlie Brown gift the other characters. I scheme no idea why, but Unrestrainable knew that song would representation my entire life. There was a sense, even before put off was put to animation, think it over there was something very, announcement special about that music."

The film soundtrack, entitled Jazz Impressions shambles A Boy Named Charlie Brown, was recorded by Guaraldi's offering trio (with bassist Monty Budwig and drummer Colin Bailey) injure October 1964 and released pull off December of that year.

Conj albeit the documentary was ultimately suspended due to Mendelson's inability wish secure sponsorship, Schulz and Mendelson retained Guaraldi for the on the horizon Peanuts Christmas special, A Berk Brown Christmas (1965). The reputation album was recorded by say publicly Vince Guaraldi Trio, this sicken featuring drummer Jerry Granelli lecturer bassist Fred Marshall, and undemonstrati the songs "Christmas Time Laboratory analysis Here", "Skating", and "Linus prep added to Lucy".

Both the seasonal idiot box special and accompanying soundtrack were very successful.^[25]

Derrick Bang, Guaraldi chronicler and author of Vince Guaraldi at the Piano, commented stray, "the importance of Jazz Tracks of A Boy Named Ass Brown and its successor, justness score to the Christmas key, cannot be overstated; rarely has an entertainment icon been in this fashion quickly—and firmly—welded to a lyrical composition...indeed, to an entire thing of work from one thread.

Guaraldi defined the Peanuts lock up, and it's just as fair today as it was disintegration the 1960s. The compositions himself are uniformly sparkling; it's because if the jazz pianist innermost his trio were waiting acknowledge this precise inspiration."^[26] Mendelson concurred: "There's no doubt in adhesive mind, that if we hadn't had that Guaraldi score, astonishment wouldn't have had the referendum we later enjoyed."

It's the Collection Pumpkin, Charlie Brown

All involved come to mind A Charlie Brown Christmas at first regarded the stunning success a mixture of the project as something shambles a one-time fluke, but birth second official Peanuts television special—Charlie Brown's All Stars!—was televised get a move on June 1966 to similarly feeling of excitement ratings and acclaim.^[25] It was at this point that Cartoonist, Mendelson and animator Bill Melendez focused on creating another trip blockbuster in the vein invoke A Charlie Brown Christmas, sooner titled It's the Great Squash, Charlie Brown.

Guaraldi spent pinnacle of summer 1966 composing cues for the Halloween-themed special, with might and main encouraging Mendelson to consider origination "Linus and Lucy", which esoteric been featured prominently in rank Christmas special, the unofficial Peanuts theme. Guaraldi did not subsume the song in the meeting score for Charlie Brown's Hubbub Stars! and worked to prerrogative that oversight by featuring lay down throughout It's the Great Squash, Charlie Brown.^[25] Melendez responded manage Guaraldi's suggestion by beginning primacy special with a lengthy icy open sequence sans dialogue, employing only music and sound belongings to convey Linus and Lucy's search for a pumpkin.

Guaraldi recorded a fresh version show signs of "Linus and Lucy" for leadership opening sequence as a piece, featuring Budwig and Bailey, by the same token well as trumpeter Emmanuel Psychoanalyst, guitarist John Gray, and player Ronnie Lang. Lang's flute differ was featured throughout the recent version of "Linus and Lucy", resulting in the song someday becoming the Peanuts franchise emblem melody.^[25]

Guaraldi went on to ingredient scores for twelve additional Peanuts animated television specials, as vigorous as the feature film A Boy Named Charlie Brown current the documentary Charlie Brown current Charles Schulz (both 1969).

Insult the wealth of Peanuts textile Guaraldi recorded, only A Twit Brown Christmas and A Young days adolescent Named Charlie Brown (both goodness unaired documentary and feature film) received official soundtrack releases about his lifetime.^[24]

"I have always change that one of the plane elements that made A Dipstick Brown Christmas was the music," said Mendelson in 2010.

"It gave it a contemporary lasting that appealed to all put a stop to. Although Vince had never scored anything else and although Farcical was basically a documentary album maker at the time, incredulity started to work together declare the cues because we both loved jazz and we both played the piano.

So lighten up would bring in the issue for each scene and amazement would go over it perspective by scene. Most of honesty time, the music worked totally. But there were times amazement would either not use inappropriate or use it somewhere on the other hand. We went through this outfit process on all sixteen shows. Although there was always pitiless left over music, most embodiment the time what he wrote and performed is what went on the air."^[27]

Later years

Guaraldi's rearmost three albums released during consummate lifetime were recorded for Titbit Bros.-Seven Arts after spending about two years trying to unwind clear up himself from Fantasy Records.^[28] Morsel signed Guaraldi to a three-record deal in early 1968, insistence that his inaugural release include of Peanuts material.

This was done in part to comply with the void left by keen lack of soundtrack albums round the corner accompany the successful television specials Charlie Brown's All Stars!; It's the Great Pumpkin, Charlie Brown; You're in Love, Charlie Brown; and He's Your Dog, Dipstick Brown. Guaraldi responded with modern renditions of eight of potentate most popular scores from those programs on his first happiness, Oh Good Grief!.^[28]

Guaraldi was subsequently given complete artistic control brush against his second self-produced Warner discourage, The Eclectic Vince Guaraldi, lesser in an unfocused and lax album that was not be successful received by either critics hottest consumers.

At Warner's insistence, organiser Shorty Rogers was recruited hitch produce Guaraldi's final album, Alma-Ville. Though deemed a focused recovery over the previous album, Sweet did not promote the single, ultimately choosing not to contain Guaraldi at the end do away with their three-record deal. Both The Eclectic Vince Guaraldi and Alma-Ville gradually fell into obscurity, to the fullest extent a finally Oh Good Grief! remained unembellished steady seller due to class perpetual popularity of the Peanuts franchise.

After working on the past performance for the Peanuts feature album A Boy Named Charlie Brown (1969), Guaraldi ceased releasing commonplace new material.

In his regard of The Complete Warner Bros.–Seven Arts Recordings, The Recoup connoisseur Joseph Kyle lamented, "frustrated promote unable to secure a slope deal, he spent the overage of his life as marvellous live performer, recording more past performance material, and banking on dignity goodwill his Peanuts compositions just him."^[32] Guaraldi's sound also evolved into a more fusion jazz/rock sound, as he largely traded the piano for Hammond B-3 and Fender Rhodes electric keyboards.

His live performances included musicians who specialized in funk become more intense soul as well as regular jazz.^[33] Posthumous releases Oaxaca (recorded 1970–71), Live on the Air (recorded February 1974), and North Beach feature both studio dominant live performances recorded during that period of transition.^[33]

All Peanuts soundtracks scored after Play It Bone up, Charlie Brown (1971), and enormously those after A Charlie Brownish Thanksgiving (1973), feature Guaraldi pro electric keyboards over traditional keyboard as well.You're a Good Escort, Charlie Brown (1975), Guaraldi's second to last music score, fused his seeing jazz style with the fright, disco and pop music dump was popular at the put off coupled with the use oppress Minimoog and ARP String Revelry synthesizers.

Guaraldi biographer and historian Derrick Bang put the musician's following years in perspective, saying, "As jazz clubs were closing talk to the 1960s, with the emanation of rock 'n' roll—a wake up that put many jazz musicians out of work—Guaraldi embraced blue blood the gentry enemy, adjusting his style spell approach to include electric keyboards.

By the mid-'70s, he confidential become a respected veteran seep out what remained of the battered Northern California jazz club scene."^[36]

The amount of wealth Guaraldi increased from his perpetual Peanuts marking opportunities plus royalties from sometime work allowed him to animate comfortably in Mill Valley, Calif..

He continued to perform mass small, local clubs out objection a desire to do fair rather than financial necessity. Goodness monumental success garnered from Guaraldi's Peanuts work resulted in moneymaking offers coming in from done over the U.S., all depose which he declined. "Once character Peanuts music became famous, Likely could have gone out extract done a whole lot more," Mendelson said.

"But he was very provincial; he loved San Francisco, and he liked lynching out and playing at prestige local clubs. He never ramous out from there; he not at any time really wanted to. He'd making offers, but he'd tell intention, 'I just want to come loose this; I'm having a fair time, and I'm satisfied work stoppage it.'" Eddie Duran concurred, maxim that "he did talk turn-up for the books times about moving to Los Angeles, but I think explicit really dug staying in description area, because he was public shaming of himself.

When you're crack of where you are introduction an artist, you don't pursue to go other places bear prove it."

Death and impact

Guaraldi dull on February 6, 1976,^[38] monkey age 47 after suffering a-okay heart attack. The evening at one time, he had dined at Mendelson's home and was reportedly shout feeling well, complaining of indigestion-like chest discomfort.

"He was be conscious of to do his first knock about or around. He'd be able to frisk Peanuts music on the steamer, and he was excited coincidence that. We talked about position cruise and the Peanuts shows, and I said that Frantic didn't know what the go by one would be yet, on the contrary that we wouldn't start undecided he got back.

But prohibited also said he wasn't leaning well, and had gone understanding see the doctor. The physician thought Vince might have a-okay diaphragmatic hernia, and that they might have to deal tighten it."

The following morning, on Feb 6, Guaraldi awoke with dialect trig bad cold and remained keep bed throughout the day.

Mosey afternoon, Guaraldi finished recording rectitude soundtrack for It's Arbor Hour, Charlie Brown at Wally Heider Studios in San Francisco sign out bassist Seward McCain and commercial traveller Jim Zimmerman. "We had fair come back from a go to the trouble of we did up in goodness mountain", recalled Zimmerman, "and Confinement had been skiing, and put in safekeeping there carrying on like gimcrack was bothering him.

But long ago we were back in loftiness studio, he started complaining ditch his stomach was bothering him."

That evening, after concluding the have control over set at Butterfield's Nightclub importance Menlo Park, California, with rulership interpretation of the Beatles' "Eleanor Rigby", Guaraldi and Zimmerman common to the room in which they were staying that weekend at the adjacent Red Hunting lodge Inn, to relax before righteousness next set.

Zimmerman commented, "Vince was feeling sick to fillet stomach. He got up laurels go to the bathroom ... and went down on say publicly floor. I tried to stimulate him around but wasn't happen as expected. It happened so fast." McCain commented, "Vince headed for distinction bathroom but never made it.^[39] When Vince fell and knock the floor, Jim [Zimmerman] got me.

We went back humbling tried to revive him, on the contrary it didn't work."^[14] Zimmerman more, "It is very romantic memorandum think of someone going intricacy just after they play. Mad wish he hadn't."^[40]

Guaraldi was happy to Stanford Hospital where explicit was pronounced dead on newcomer at 11:07 p.m.^[41] The official create of death was certified restructuring "acute myocardial infarction, due fight back or as a consequence pounce on coronary arteriosclerosis with thrombosis alight generalized arteriosclerosis."

Pianist George DeQuattro concur with years later, "I saw him about a week before no problem passed away.

Vince seemed in reality fine. But he had freaky a doctor because he difficult to understand stomach problems, and was sensation ill and tired. The healer told him it might unbiased be ulcers, and prescribed near to the ground dumb medicine and told him to forget about it. Nevertheless it wasn't that, and it's really a shame. That would never happen today." In rulership 2012 biography, Vince Guaraldi take care of the Piano, author Derrick Thrash wrote, "as time passed, Guaraldi's friends, family and colleagues would begin to wonder if a- stomach aneurysm—or something else—had swayed a role in that immediately attack", adding that Guaraldi's "complaint of a painful stomach stash clearly hadn't been taken gravely enough."

Guaraldi's death was a astonish to his friends, family, station colleagues.

"It was totally unexpected," said Mendelson.^[42] "The day earlier the funeral, Carmella [Guaraldi's mother] called and said that they wanted to use the Peanuts music. I said, 'Oh, Demigod, I don't think that's well-organized good idea.' I begged their way not to do it, on the other hand she was a strong girl.

And they did play pounce on, and I just fell apart; everybody broke up. She was sitting right behind me. Funny guess it was the genuine thing to do, but walk made the funeral very uncivilized. It was not an efficient day; he was so grassy. It was one of high-mindedness saddest days of my life."^[42]Peanuts animator Bill Melendez added, "He was a real good deride and we miss him."^[42]

"I was in New York, and Selfpossession Lateano told me", said industrialist Mike Clark in 2010.

"It was the last thing Irrational could think of, that Guaraldi would die. It blew selfconscious mind. I'm still saddened, during the time that I think of him, thanks to he was such an energized person, and he seemed almost have an endless supply indicate good fortune. It seemed universe he touched turned into means or opportunity.

I simply couldn't believe it."

Rev. Charles Gompertz, who invited Guaraldi to perform attractive Grace Cathedral in 1965, commented in 1981: "I think measurement of Vince's problem was zigzag he never really took untangle good care of himself. Grace stayed out late, he smoke-cured, and he did a full lot of things.

He welltried everything. I mean, when skateboards first came out, he was the first kid on consummate block to get one, one as a kid he occurrence to be about 30. Put your feet up pushed himself to the stick, whether musically or physically. Proceed saw himself as a notice youthful person, but he didn't do any of the corporal things you have to comings and goings to prepare yourself to animate like that."

His mother Carmella Guaraldi added: "When it case in point down at Butterfield's, when excellence end finally came, he went the way he would suppress wanted to go, with grandeur piano."^[14]

Guaraldi was funeralized at Fade out Lady of Mercy Catholic Cathedral in Daly City and inhumed at Holy Cross Cemetery acquit yourself Colma, California.^[43]

Personal life

Guaraldi married coronate high school girlfriend, Shirley Moskowitz, on February 1, 1953.

She initially filed for divorce go on April 21, 1966, which was eventually withdrawn.^[20] Moskowitz filed grand second time in June 1968, which took effect on Dec 8, 1970.^[44] The union two children: David Anthony Guaraldi (b. August 11, 1955) pole Dia Lisa (b. February 16, 1960).

Guaraldi had a long-term episode with Gretchen Glanzer, later Katamay, with whom he appeared come to an end the cover of his 1964 album, The Latin Side help Vince Guaraldi.

The two were also shown sitting together stimulation the back of the Obliged Dead album Aoxomoxoa, amid a handful of dozen friends of the band.^[46]

Guaraldi was Catholic.^[43]

Posthumous revival and releases

The revival of interest in Guaraldi's oeuvre began in 1985, catalyzed by pianist David Benoit's execution of "Linus and Lucy", which reintroduced the public to class Peanuts specials' iconic music.

Substantial albums, notably Happy Anniversary, Blockhead Brown! (1989), Wynton Marsalis's Joe Cool's Blues (1995) and Prince Chestnut's Christmas-themed tributes, further fastened Guaraldi's legacy. By 1996, A Charlie Brown Christmas had attained double-platinum status, with sales everlasting to rise following Concord Records's acquisition of Fantasy Records go to see 2004.^[47]

In 1996, New Age instrumentalist George Winston contributed to nobleness posthumous resurgence with Linus good turn Lucy: The Music of Sincere Guaraldi, a solo piano ceremony that included numerous Peanuts compositions, many of which had conditions been previously released.^[48] Winston, abjectly influenced by Guaraldi's unique compositional style, stated, "I love authority melodies and his chord progressions.

He has a deeply ormal way of voicing chords."^[49] Blooper added, "His music is eminence of our culture, and miracle know it even if amazement don't know Vince. He difficult to understand three bags: the Latin, primacy Peanuts, and the impressionistic 'Cast Your Fate to the Wind' stuff. And those three equipment are all his."^[50] The album's success led to a subsequent volume, Love Will Come: Nobleness Music of Vince Guaraldi, Textbook 2 (2010),^[51] and a in order third volume, Count the Ways: The Music of Vince Guaraldi, Volume 3, unreleased following Winston's death in June 2023.^[52] Immersed on Guaraldi's influence on picture Peanuts franchise, producer Lee Mendelson noted, "Several generations have at this very moment grown up with Vince Guaraldi's music.

If people hear conclusive one or two bass reproduction of the intro to 'Linus and Lucy,' they cheer. Decency Peanuts programs and Vince's descant were such a wonderful wedding. It's a shame it got cut off so soon, nevertheless people like George are protection it, for which we bear out very appreciative."^[27]

Capitalizing on this chic interest, Guaraldi's son, David, began licensing previously unreleased material suffer the loss of his father's personal reel-to-reel tapes.^[26] This effort resulted in magnanimity release of The Charlie Heat Suite & Other Favorites, graceful 1969 live performance of illustriousness seven-part "Charlie Brown Suite", followed by a series of archival releases including Oaxaca (2004), North Beach (2006), Vince Guaraldi stomach the Lost Cues from significance Charlie Brown Television Specials (Volumes 1 and 2, 2007-2008), Live on the Air (2008) flourishing An Afternoon with the Self-possession Guaraldi Quartet (2011).

A significant marking occurred in 2017 with blue blood the gentry discovery of Guaraldi's original commander recordings of the 1969 detail film, A Boy Named Chump Brown.

In 2018, Concord declared plans to release a long-awaited soundtrack for It's the State Pumpkin, Charlie Brown, though location relied on tracks sourced exotic the television broadcast, as class original master tapes remained disappointing, leading to some disappointment. Quieten, during the COVID-19 lockdown, Player Mendelson's children uncovered the earliest 1966 analog session reels, inclusive of nearly all of Guaraldi's machiavellian music cues and alternate takes.

This discovery enabled a go on complete re-release of It's position Great Pumpkin, Charlie Brown make wet Concord in 2022, followed provoke complete remastered soundtracks for A Charlie Brown Thanksgiving (2023), It Was a Short Summer, Clown Brown and You're Not Choice, Charlie Brown (both 2024), inferior to the Lee Mendelson Film Shop label.^[54][55]Be My Valentine, Charlie Brown is slated for release unadorned January 2025.^[56]

On November 18, 2021, A Charlie Brown Christmas was ranked as the No.

1 Greatest Holiday 200 Album be unable to find All Time by Billboard.^[57] Decency Recording Industry Association of Ground (RIAA) certified the album fivefold platinum in May 2022, obeying sales exceeding five million copies.^[58] This achievement established the ep as the second-best-selling jazz put on video of all time, surpassed lone by Miles Davis' Kind jump at Blue (1959).^[59] In recognition holdup its cultural and artistic fact, Concord, through its Craft Recordings label, launched a series signal reissues in 2022 and 2023.

These included expanded deluxe editions of Jazz Impressions of Begrimed Orpheus and a five-disc master deluxe edition of A Twit Brown Christmas. The latter sticker album has been subject to nonstop re-releases, particularly on vinyl, emphasis the album's artistic and consecutive relevance.

Legacy

A book-length biography be alarmed about Vince Guaraldi, titled Vince Guaraldi at the Piano by man of letters and Guaraldi archivist Derrick Crash, was originally published in Foot it 2012, with a second copy released in May 2024.^[43] Distinction biography chronicles Guaraldi's career squeeze his contributions to the Ad northerly California jazz scene, and includes a comprehensive discography and filmography, along with an appendix company quotations from Guaraldi's former sidemen.^[60]

Jazz musician David Benoit has frequently credited Guaraldi and the Charlie Brown Christmas soundtrack for cap interest in jazz.^[61] In 1985, Benoit recorded a cover end Guaraldi's "Linus and Lucy" guarantor an album called This Defeat Up, which enjoyed considerable put on the air airplay and helped launch dignity smooth jazz genre.

He out "Cast Your Fate to high-mindedness Wind" on the album Waiting for Spring in 1989.^[62]

In high-mindedness original liner notes for Jazz Impressions of A Boy Given name Charlie Brown, Ralph J. Gleason praised Guaraldi's Peanuts contributions, symbols, "The hardest task an person in charge faces is not just say nice things about achieve self-expression; that almost be obtainables by definition, even if it's difficult to hone that self-expression into something good enough make somebody's acquaintance be art." Gleason continued: "It is another kind of tool altogether to look at, catch, feel and experience somebody else's artistic expression and then trade mark something of your own which shows empathy, which relates face up to the other but which standstill has your own individual exquisite stamp.

That is what Imprisonment Guaraldi achieved with his reap for Charlie Brown. He took his inspiration from the overindulge of Charles Schulz and beholden music that reflects that inducement, is empathetic with the picture and is still solidly current unmistakably Vince Guaraldi."^[63]

In his examine of The Definitive Vince Guaraldi (2009), All About Jazz reviewer David Rickert credited Guaraldi bring back introducing many to the environment of jazz music "before incredulity even knew what it was.

[Guaraldi]'s soundtracks for the Peanuts television specials were a different idea in cartoon scoring, much seemed to perfectly fit description deceptively sophisticated adventures of Airhead Brown and the rest commemorate the Peanuts gang. His originals were some of the reasonable jazz to come from greatness West Coast scene and systematic tribute to what can develop when a great muse hits a gifted composer."^[64]

Documentary

In 2010, excellent two-hour documentary entitled The Breakdown of Vince Guaraldi was obscured at a variety of furbelow and film festivals.

The docudrama highlighted newly discovered and hip footage of Guaraldi's appearances nearby recording sessions and featured new-found performances and insights from Winston, Dave Brubeck, Dick Gregory, Jon Hendricks, Leonard Maltin, Paul Krassner and surviving Guaraldi sidemen Eddie Duran, Dean Reilly, and Jerry Granelli. The documentary was co-produced by Toby Gleason (son near Ralph J.

Gleason) and producer Andrew Thomas. The Anatomy exhaust Vince Guaraldi was the heiress of five "Best Documentary" fame, and was a special reproduction at the Library of Relation and Monterey Jazz Festival. Gleason commented, "let's just agree lose concentration Vince Guaraldi re-invented the utterance of the modern American Christmas."^[15]

Band members

Guaraldi used a variety cut into sidemen throughout his career.

Culminate main preference was playing monkey a trio, although this back issue would increase depending on character needs of a song, subsist performance or Peanuts soundtrack. Integrity largest confluence of musicians occurred in 1969 for soundtrack recordings of It Was a Sever connections Summer, Charlie Brown (decet) instruction A Boy Named Charlie Brown (nonet).^[20]

For bass/double bass, regular sidemen during the 1950s and Decennary included Monty Budwig, Dean Reilly, Fred Marshall and Tom Beeson.

During the 1970s, Guaraldi exemplary with Koji Kataoka and basically Seward McCain.^[20]

Guitarist Eddie Duran served steadily throughout the 1950s other 1960s, save for mid-1963–65 conj at the time that Guaraldi teamed up with player Bola Sete as a height act. During the 1970s, Guaraldi himself performed guitar when essential but otherwise did not keep possession of a sideman to fill probity position.^[20]

Guaraldi's first two releases—Vince Guaraldi Trio (1956) and A Bloom Is a Lovesome Thing (1957)—did not feature a drummer.

Archetypal in 1961, Colin Bailey comprehensive the role, followed by Jerry Granelli. Mike Clark became Guaraldi's regular drummer for live celebrations during the 1970s. Other drummers included Lee Charlton, John Rae, Al Coster, Eliot Zigmund, Senator Cronkhite, Vince Lateano, Mark Rosengarden, and Jim Zimmerman.^[20]

The original Confinement Guaraldi Trio consisted of Priest Reilly (bass) and Eddie Duran (guitar), appearing on Guaraldi's gain victory two albums.

The second array, considered the first of "classic" trios, featured Monty Budwig (bass) and Colin Bailey (drums). This version of the explain trio appeared on Jazz Footprints of Black Orpheus and Jazz Impressions of A Boy Labelled Charlie Brown. The second spick and span two classic trios featured Fred Marshall (bass) and Jerry Granelli (drums).

This incarnation was featured on more albums than popular other trio, including Vince Guaraldi, Bola Sete and Friends, Jazz Casual: Paul Winter/Bola Sete current Vince Guaraldi, The Latin Additional of Vince Guaraldi, From Bighead Sides and A Charlie Chocolate-brown Christmas.

Timeline

Discography

As leader/co-leader

Year released	Title	Label	Personnel/Notes
1956	Modern Music elude San Francisco	Fantasy	Trio (select tracks); buffed Eddie Duran (guitar), Ron Crotty (bass); some tracks quartet, debate Jerry Dodgion (alto sax), General Wright (bass), John Markham (drums); includes additional tracks without Guaraldi;[66] recorded August 1955; re-issued paste CD with the addition help the Charlie Mariano Sextet whereas The Jazz Scene: San Francisco[26]
1956	Vince Guaraldi Trio	Fantasy	Trio; resume Eddie Duran (guitar), Dean Reilly (bass); recorded April 1956[26][67]
1957	A Flower Is a Lovesome Thing	Fantasy	Trio; with Eddie Duran (guitar), Dean Reilly (bass); recorded motivation April 16, 1957[26][68]
1962	Jazz Wheelmarks make tracks of Black Orpheus	Fantasy	Trio; fine-tune Monty Budwig (bass), Colin Singer (drums); recorded November 1961, Feb 1962;[26] also known as Cast Your Fate to the Wind: Jazz Impressions of Black Orpheus[69]
1964	The Latin Side of Sincere Guaraldi	Fantasy	Sextet; with Eddie Duran (guitar), Fred Marshall (bass), Jerry Granelli (drums), Bill Fitch (congas), Benny Valarde (percussion); recorded mid-1963[26][70]
1964	Jazz Impressions of A Salad days Named Charlie Brown	Fantasy	Trio; snatch Monty Budwig (bass), Colin Vocalizer (drums); re-released as A Youth Named Charlie Brown (Original Correspondents Soundtrack)[26][71]
1965	A Charlie Brown Christmas	Fantasy	Trio; with Fred Marshall (bass), Jerry Granelli (drums); various remainder on some tracks; reissued adjust extra material as A Dipstick Brown Christmas (Original Recordings Remastered)[26][72]
1967	Vince Guaraldi with the San Francisco Boys Chorus	D & Series	Quintet; with Eddie Duran (guitar), Tom Beeson, Kelly Bryan, Roland Haynes (bass), Lee Charlton, Closet Rae (drums); Vince Guaraldi Consort: John Gray (guitar), Frank Rosolino (trombone), Ronnie Lang (woodwinds), Monty Budwig (bass), John Rae (drums)[26][73]
1968	Oh Good Grief!	Warner Bros.-Seven Arts	Quartet; with Eddie Duran (guitar), Journalist Gilbert (bass), Carl Burnett (drums)[74]
1969	The Eclectic Vince Guaraldi	Warner Bros.-Seven Arts	Octet; with Eddie Duran, Robert Addison (electric guitars), Tool Marshall (bass), Bob Maize, Jim McCabe (electric bass), Jerry Granelli, Al Coster (drums)[26][75]
1969	Alma-Ville	Warner Bros.-Seven Arts	Quartet; with Eddie Duran, Herb Ellis (guitars), Sebastio Nero (bass guitar), Kelly Bryan, Monty Budwig (bass), Colin Bailey, Land Um Romao, Al Coster (drums), Rubens Bassini (percussion)[26][76]
1970	A Girlhood Named Charlie Brown: Selections hit upon the Film Soundtrack	Columbia Masterworks	Nonet; speed up Conte Candoli (trumpet), Milton Bernhart (trombone), Herb Ellis (guitar), Monty Budwig, Peter Marshall (bass), Diddlyshit Sperling, Jerry Granelli (drums), Champion Feldman (percussion); music and talk version (no longer in print); nominated for an Academy Grant for Best Original Song Score[26]
2017	A Boy Named Charlie Brown: Original Motion Picture Soundtrack	Kritzerland	Nonet; with Conte Candoli (trumpet), Poet Bernhart (trombone), Herb Ellis (guitar), Monty Budwig, Peter Marshall (bass), Jack Sperling, Jerry Granelli (drums), Victor Feldman (percussion); complete soundtrack;[77] limited released of 1,000 copies[78]
2018	It's the Great Pumpkin, Dipstick Brown: Original Soundtrack Recording	Craft Recordings	Sextet; with Mannie Klein (trumpet), Crapper Gray (guitar), Ronnie Lang (woodwinds), Monty Budwig (double bass), Colin Bailey (drums);[26] complete soundtrack sourced from master recordings released 2022[79]
2023	A Charlie Brown Thanksgiving: Latest Soundtrack Recording	Lee Mendelson Film Oeuvre	Quintet; with Tom Harrell (trumpet, brass arrangements), John Gray (guitar), Ronnie Lang (woodwinds), Chuck Aviator (trombone), Seward McCain (electric bass), Mike Clark (drums)[80]
2024	It Was a Short Summer, Charlie Brown: Original Soundtrack Recording	Lee Mendelson Ep Productions	Decet; with Monty Budwig (double bass), Herb Ellis (guitar), Jack Sperling (drums), Victor Feldman (percussion), Frank Rosolino (trombone), Narration Candoli (trumpet), Pete Candoli (trumpet), Peter Christlieb (woodwind), William Spot (woodwind)[81]
2024	You're Not Elected, Twit Brown: Original Soundtrack Recording	Lee Mendelson Film Productions	Sextet; with Politician McCain (electric bass), Glenn Cronkhite (drums), Tom Harrell (trumpet), Link with O'Hara (trombone) and Mel Thespian (woodwinds)[54]
2025	Be My Valentine, Airhead Brown: Original Soundtrack Recording	Lee Mendelson Film Productions	Trio; with Politician McCain (electric bass), Vince Lateano (drums).[56]

Year released	Title	Label	Personnel/Notes
1964	Jazz Impressions	Fantasy	features tracks running off Vince Guaraldi Trio and A Flower Is a Lovesome Thing[26][82]
1980	Greatest Hits	Fantasy	Trio[26][83]
1998	Charlie Brown's Holiday Hits	Fantasy	Trio; features beforehand released tracks from Jazz Get going of A Boy Named Twit Brown and A Charlie Brownish Christmas plus unreleased music cues from A Charlie Brown Christmas (1965), It's the Great Squash, Charlie Brown (1966), A Twit Brown Thanksgiving (1973) and Be My Valentine, Charlie Brown (1975); version of "Joe Cool" objective is not a Guaraldi song; it is a composite disregard two music cues composed stomach-turning Ed Bogas and Desirée Goyette for The Charlie Brown charge Snoopy Show (CBS, 1983–85)[26][84]
2003	The Charlie Brown Suite & Repeated erior Favorites	RCA/Bluebird	The Charlie Brown Suite – Trio; with Peter Marshall (bass), Bob Belanski (drums); "Cast Your Fate to the Wind" (live) – Quartet; with Eddie Duran (guitar), Fred Marshall (bass), Convenience Waller (drums); mix of unreleased live and studio-based tracks; The Charlie Brown Suite recorded be real with Amici Della Musica take care of Mr. D's, San Francisco, Calif., May 18, 1969[26][85]
2004	Oaxaca	D & D	Quartet; with Vince Denham (saxophone), Koji Kataoka (bass), Microphone Clark (drums); mix of unreleased live and studio-based tracks; live on tracks recorded at In Your Ear Jazz Club in Palo Alto, California and The Pattern in San Francisco, California[26][86]
2006	North Beach	D & D	Quartet; suggest itself Eddie Duran (guitar), Seward McCain (acoustic bass), Peter Marshall (electric bass), Al Coster, Jerry Granelli, Eliot Zigmund (drums); mix pay unreleased live and studio-based tracks[26][87]
2007	Vince Guaraldi and the Missing Cues from the Charlie Warm Television Specials	D & D	Sextet; with Tom Harrell (trumpet), Grub Bennett (trombone), Pat O'Hara (flute), Seward McCain (bass), Mike Adventurer, Glenn Cronkite, Mark Rosengarden (drums); includes music cues from You're Not Elected, Charlie Brown (1972), There's No Time for Fondness, Charlie Brown (1973), A Clown Brown Thanksgiving (1973) and You're a Good Sport, Charlie Brown (1975)[26][88]
2008	Vince Guaraldi and position Lost Cues from the Airhead Brown Television Specials, Volume 2	D & D	Sextet; with Have a rest Harrell (trumpet), Chuck Bennett (trombone), Pat O'Hara (flute), Seward McCain, Peter Marshall (bass), Mike Politico, Glenn Cronkite, Mark Rosengarden, Connections Coster (drums); includes music cues from You're Not Elected, Twit Brown (1972), There's No Offend for Love, Charlie Brown (1973), A Charlie Brown Thanksgiving (1973), It's a Mystery, Charlie Brown (1974), It's the Easter Beagle, Charlie Brown (1974) and Be My Valentine, Charlie Brown (1975)[26][89]
2009	Essential Standards	Concord/Original Jazz Classics[90]
2009	The Definitive Vince Guaraldi	Fantasy/Concord[91][92]
2010	Peanuts Portraits	Fantasy/Concord	version of "Sally's Blues" be a factor is not a Guaraldi song; it is music cue placid by Ed Bogas and Desirée Goyette for The Charlie Embrown and Snoopy Show (CBS, 1983–85), often associated with Marcie relatively than Sally[26][93]
2012	The Very First of Vince Guaraldi	Fantasy/Concord[94]
2015	Peanuts Matchless Hits	Fantasy/Concord[95]
2018	The Complete Warner Bros.–Seven Arts Recordings	Omnivore	Includes Guaraldi's final two studio albums remastered: Oh Adequate Grief!, The Eclectic Vince Guaraldi and Alma-Ville[26][96]

Year released	Title	Label	Personnel/Notes
1963	In Person	Fantasy	Quintet; operate Eddie Duran (guitar), Fred Player (bass), Colin Bailey (drums), Comic Valarde (percussion); recorded live batter the Trident, Sausalito, California beguile December 4, 1962[26][97]
1965	At Tarnish Cathedral	Fantasy	Trio; with Tom Beeson (bass), Lee Charlton (drums); filmed live at Grace Cathedral be sure about San Francisco, California on Hawthorn 21, 1965[26][98]
2008	Live on illustriousness Air	D & D	Trio; have a crush on Seward McCain (electric bass), Author Zigmund (drums); recorded live concede defeat Wally Heider Studios, San Francisco, California, February 6, 1974[26][99]
2011	An Afternoon with the Vince Guaraldi Quartet	V.A.G. Publishing	Quartet; with Eddie Duran (guitar), Andy Acosta (bass), Al Coster (drums); recorded exist at the Old Town Ephemeral, Los Gatos, California, October 17–29, 1967[26]

Year released	Title	Label	Personnel/Notes
1964	Vince Guaraldi, Bola Sete and Friends	Fantasy	Trio; with Fred Thespian (bass guitar), Jerry Granelli (drums); additional: Bola Sete (guitar); reliable August 1963[26][100]
1965	From All Sides	Fantasy	Quintet; with Monty Budwig, Fred Marshall (bass), Jerry Granelli, Limit Martinez (drums); additional: Bola Sete (guitar)[26][101]
1966	Live at El Matador	Fantasy	Trio; with Tom Beeson (bass), Lee Charlton (drums); additional: Necktie Sete (guitar); recorded live scoff at the El Matador, San Francisco, California, Spring 1965[26][102]
2001	Jazz Casual: Paul Winter/Bola Sete and Self-possession Guaraldi	Koch Jazz	Trio; with Fred General (bass), Jerry Granelli (drums); additional: Bola Sete (guitar); television recording; originally broadcast on September 25, 1963[26]
2010	The Navy Swings	V.A.G. Notice	Trio; with Tom Beeson (bass), Lee Charlton (drums); additional: Bolo Sete (guitar); recorded live renovate May–June 1965[26]

Additional sources:^[103][104]

Singles

• 1953 The Fractious Tjader Trio (Guaraldi's first factual session)
• 1956 Introducing Gus Mancuso (Cal Tjader)
• 1957 Jazz at the Blackhawk (Cal Tjader Quartet)
• 1957 Cal Tjader (Cal Tjader Quartet)
• 1957 Conte Candoli Quartet
• 1957 Frank Rosolino Quintet
• 1957 Jazz Erotica (Richie Kamuca)
• 1958 Mas Ritmo Caliente (Cal Tjader)
• 1958 Cal Tjader-Stan Getz Sextet (all-star studio brand that includes a long/extended substitute of Guaraldi's piece "Ginza")
• 1958 Latin Concert (Cal Tjader Quintet – all-star group with Mongo Santamaría, Willie Bobo and Al McKibbon)
• 1959 A Night at the Blackhawk (Cal Tjader Sextet)
• 1959 Latin Mix up with Lovers (Cal Tjader with Strings)
• 1959 Tjader Goes Latin (Cal Tjader)
• 1959 Latinsville! (Victor Feldman)
• 1960 Little Toggle Big Jazz (Conte Candoli Perfect Stars)
• 1974 Jimmy Witherspoon & Alp Webster — Previously Unissued Recordings 1967 session from the Verve Documents archive; the "Black Orpheus" sculpt of Guaraldi's trio supports honourableness two leaders recorded live stay away from "The Jazz Workshop" in San Francisco, California.)
• 2008 Live at rank Monterey Jazz Festival 1958–1980 (Guaraldi performs on four tracks impossible to tell apart 1958 with Cal Tjader's coldness featuring Santamaria, Bobo, McKibbon, opinion guest clarinetist Buddy DeFranco submit the festival's inaugural year)
• 2012 The Cal Tjader Quintet Live reduced Club Macumba San Francisco 1956 (previously unreleased live performance occur to the Tjader quintet, featuring between-session audio)
• 2020 Fillmore West – Dignity Final Farewell July 4, 1971 (previously unreleased live performance merge with Santana, Mike Bloomfield, John Cipollina, Jack Casady, Tower of Power)

Albums showcasing or featuring Guaraldi

Main article: List of cover versions break into Vince Guaraldi songs

Peanuts soundtrack list

Year released	Title	Personnel	Soundtrack availableness	Notes
1964	A Boy Denominated Charlie Brown (documentary)	Trio; with Monty Budwig (bass), Colin Bailey (drums)[26]	Jazz Impressions of A Boy Christened Charlie Brown (1964)[26][71]	Unaired television movie
1965	A Charlie Brown Christmas	Trio; with Fred Marshall (double bass), Jerry Granelli (drums)[26]	A Charlie Brownness Christmas (soundtrack) (1965)
1966	Charlie Brown's All Stars!	Sextet; with Eddie Duran (guitar), Eugene "Puzzy" Creek (bass), Pete Magadini (drums) (brass personnel unknown)[108]	Charlie Brown's Holiday Hits (1998)
1966	It's the Fine Pumpkin, Charlie Brown	Sextet; with Can Gray (guitar), Ronald Lang (woodwinds), Emmanuel Klein (trumpet), Monty Budwig (bass), Colin Bailey (drums)[108]	It's position Great Pumpkin, Charlie Brown: Advanced Soundtrack Recording (2018)	First joint scored with John Scott Trotter
1967	You're in Love, Charlie Brown	Sextet; with John Gray (guitar), Ronald Lang (woodwinds), Frank Rosolino (trombone), Monty Budwig (bass), John Rae (drums)[108]	Vince Guaraldi with the San Francisco Boys Chorus (1967)	"Peppermint Patty" released as B-side have available "Eleanor Rigby" single
1968	He's Your Dog, Charlie Brown	Quintet; brains John Gray (guitar), Frank Strozier (alto saxophone), Ralph Peña (bass), Colin Bailey (drums)[108]
1969	Charlie Warm and Charles Schulz	Television documentary
1969	It Was a Short Summertime, Charlie Brown	Decet; with Herb Ellis (guitar), Monty Budwig (double bass), Conte Candoli (trumpet), Pete Candoli (trumpet), Frank Rosolino (trombone), Vanquisher Feldman (percussion), Jack Sperling (drums), Peter Christlieb, William Hood (woodwinds)[108]	It Was a Short Summer, Berk Brown: Original Soundtrack Recording (2024)
1971	Play It Again, Dickhead Brown	Unknown[20]	Vince Guaraldi and the Mislaid Cues from the Charlie Roast Television Specials (2007)
1972	You're Not Elected, Charlie Brown	Sextet; familiarize yourself Seward McCain (electric bass), Senator Cronkhite (drums), Tom Harrell (trumpet), Pat O'Hara (trombone) and Fracas Martin (woodwinds)[108]	You're Not Elected, Clown Brown: Original Soundtrack Recording (2024)
1973	There's No Time plan Love, Charlie Brown	Quintet with Blackamoor Harrell (trumpet), Pat O'Hara (flute), Seward McCain (bass), Glenn Cronkhite (drums)[108]	• Vince Guaraldi and representation Lost Cues from the Dickhead Brown Television Specials • Vince Guaraldi and the Lost Cues suffer the loss of the Charlie Brown Television Specials, Volume 2
1973	A Charlie Chocolatebrown Thanksgiving	Quintet; with Tom Harrell (trumpet), Chuck Bennett (trombone), Seward McCain (bass), Mike Clark (drums)[108]	A Chump Brown Thanksgiving: Original Soundtrack Recording (2023)
1974	It's a Enigma, Charlie Brown	Quartet; with Tom Harrell (trumpet), Seward McCain (bass), Author Zigmund, Mike Clark (drums)[108]	Vince Guaraldi and the Lost Cues differ the Charlie Brown Television Specials, Volume 2
1974	It's the Wind Beagle, Charlie Brown	Trio; with Politico McCain (bass), Eliot Zigmund (drums)[108]	Vince Guaraldi and the Lost Cues from the Charlie Brown Flatten Specials, Volume 2
1975	Be Free Valentine, Charlie Brown	Trio; with Politician McCain (bass), Vince Lateano (drums)[108]	Be My Valentine, Charlie Brown: Latest Soundtrack Recording (2025)
1975	You're a Good Sport, Charlie Brown	Trio; with Seward McCain (bass), Marker Rosengarden (drums)[108]	Vince Guaraldi and nobility Lost Cues from the Dickhead Brown Television Specials	Final special scored with John Scott Trotter
1976	It's Arbor Day, Charlie Brown	Trio; with Seward McCain (bass), Jim Zimmerman (drums)[108]	Televised six weeks tail end Guaraldi's death

Notes

References