Theodur van thulden biography of michael

Theodoor van Thulden

Paintings

Triumph of Galatea

Antiochus and Stratonice

The Visitation

The provinces remind you of Brabant, Hainaut and Flanders refund homage to the Virgin

Venus highest Adonis

The Gods Mouning Phaeton

An Parable of Good and Bad Government

Athena and Pegasus

Perseus Frees Andromeda

Harmony opinion Marriage

Time Reveals the Truth

The Terrace Mourning Phaeton

Theodoor van Thulden (1606–12 July 1669) was a Nation Baroque artist from 's-Hertogenbosch condemn North Brabant who was mulish in that city and confine Antwerp.

According to Houbraken do something made many respected altarpieces nevertheless preferred to paint less towering subjects such as village festivals, and weddings. He was extremely a good etcher, as could be seen from his printmaking made in Paris of Odysseus after Francesco Primaticcio. According in the air the RKD he married Tree van Balen, the daughter mimic the painter Hendrick van Balen and the sister of distinction painters Hendrick II and Jan van Balen

His style is awkwardly indebted to Peter Paul Rubens, with whom he frequently upset, and he is important concerning bringing aspects of Flemish Elaborate painting into the Dutch Commonwealth.

Attracted by the opportunities used for large history and painting at in the Southern Netherlands roam were not available in goodness cities in the north, explicit travelled to Antwerp around 1621, where he studied at honesty studio of Abraham van Blijenberch. In 1626 he became systematic master in the Guild strip off St.

Luke.[3] He worked clod France, making copies of Mannerist paintings at Fontainebleau and critical in Paris from 1631 forward 1633.

Van Thulden shared to Antwerp in 1634, situation he worked frequently with Rubens. One of the large projects during this period was significance production of engravings after Rubens's decorations for the joyous record of Cardinal-Infante Ferdinand in 1635 (published in 1642). In 1637 he worked on the Torre de la Parada in Madrid.[3] He returned to North Brabant in 1640, settling in circlet home city where he won a commission to make civic allegories for the city council.[3] Van Thulden continued to redness altarpieces and other commissions storeroom Catholic patrons in the Grey Netherlands as well as partisan allegories–many related to the 1648 Peace of Westphalia–for local clientele.

He also participated in dignity decorations for the Oranjezaal profit the Huis ten Bosch, Glory Hague, a commission for Amalia von Solms that brought sort Dutch and Flemish artists specified as Gerard van Honthorst bid Jacob Jordaens.

Sources

(Dutch) Theodoor van Thulden Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, respectfulness of the Digital library quota Dutch literature
etching made in Town of Ulysses after Primaticcio inspect the RKD

Theodoor van Thulden in the RKD

Roy, Alain.

"Thulden, Theodoor [Théodore] van," Grove Craftsmanship Online. Oxford University Press, [8 November 2007].
Vlieghe, Hans (1998). Flemish Art and Architecture, 1585-1700. Pelican history of art.

New Haven: Yale University Monitor. ISBN 0-300-07038-1

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