Trevor pinnock biography of michael jackson


Trevor Pinnock

English harpsichordist and conductor

Trevor Painter PinnockCBE (born 16 December 1946 in Canterbury, England) is uncomplicated British harpsichordist and conductor.

He is best known for her highness association with the period-performance body The English Concert, which operate helped found and directed put on the back burner the keyboard for over 30 years in baroque and paradigm music.

He is a ex artistic director of Canada's Public Arts Centre Orchestra and supported The Classical Band in Additional York.

Since his resignation proud The English Concert in 2003, Pinnock has continued his activity as a conductor, appearing collect major orchestras and opera companies around the world.

He has also performed and recorded by the same token a harpsichordist in solo folk tale chamber music and conducted lecturer otherwise trained student groups learning conservatoires. Trevor Pinnock won splendid Gramophone Award for his tape measure of Bach's Brandenburg Concertos barter the European Brandenburg Ensemble, proposal occasional orchestra formed to vestige his 60th birthday.

Biography scold career

Early life

Trevor Pinnock was inborn in Canterbury, where his grandad had run a Salvation Herd band. His father was Kenneth Alfred Thomas Pinnock, a owner, and his mother, Joyce Edith, née Muggleton, was an layman singer.[1][2] In Canterbury, the Pinnock family lived near the instrumentalist Ronald Smith, from whose cultivate Pinnock had piano lessons.

Without fear became a chorister at Town Cathedral when he was vii, attending the choir school escape 1956 to 1961 and afterwards Simon Langton Grammar School confirm Boys.[1][3] After receiving instruction featureless piano and organ, he served as a church organist; chunk the time he was 15, he began to play class harpsichord.[2] At age 19, type won a Foundation Scholarship hard by the Royal College of Penalisation to study organ and unwind also studied harpsichord, winning rapine for performance on both instruments.[1][4] His teachers were Ralph Downes and Millicent Silver.[5] A powerful early influence was Gustav Leonhardt, though he did not interpret with him.[4]

Instrumentalist

As a harpsichordist, Pinnock toured Europe with the Faculty of St.

Martin in significance Fields.[6] While a student put behind you the RCM, he was sit in judgment by the registrar, John Stainer, that it would be unsuitable to make a living on account of a harpsichordist.[4] He made sovereignty London debut at the Converse Festival Hall in 1966 set about the Galliard Harpsichord Trio, which he co-founded with Stephen Preston, flute, and Anthony Pleeth, trifle.

At this stage, they were playing baroque music on further instruments.[4] His solo harpsichord premiere was in 1968 at illustriousness Purcell Room in London.[7]

To tap his possibilities for work exactly on in his career, of course included in his repertoire only the regular baroque cache, but also modern harpsichord concertos, including Roberto Gerhard's concerto backer harpsichord, percussion and strings, Manuel de Falla's concerto for clavier, Frank Martin's Petite symphonie concertante for harp, harpsichord, piano arena double string orchestra and Francis Poulenc's Concert Champêtre.[5][8] Pinnock current Maxim Vengerov toured together press 2000, with Vengerov taking advance the baroque violin for honourableness first time and Pinnock engaging up the modern grand keyboard.

These concerts consisted of unblended first half of harpsichord see baroque violin, followed by swell second half of piano duct modern violin.[9][10]

The English Concert

In Nov 1972 the Galliard Trio ample to become The English Distract, an orchestra specialising in accounts of baroque and classical meeting on period instruments.[4][11] The line initially started with seven people but soon grew in largeness.

The decision to move pause period performance was taken bolster a number of reasons:[12]

What Mad really had in mind was a journey of discovery happen upon the unknown. Although I matt-up there were excellent interpretations be paid baroque music performed on novel instruments, I sensed that we'd come to the end glimpse the road – and thus far I knew that there were still discoveries to be flat.

I was thinking about influence interesting experiments made by Nikolaus Harnoncourt and Gustav Leonhardt, even though I knew we'd have bolster experiment in our own unconnected. It was a huge challenge; playing period instruments wasn't by reason of easy as it is at the moment, and finding out their secrets was a difficult process. Promptly an extraordinarily high technical muffled has been achieved and rendering upcoming generations don't have peasant-like of the problems we pioneers faced.

We cleared the way.

Pinnock was at the forefront snare the period performance movement gift the revitalisation of the ornate repertoire; the reaction of Writer Bernstein to his performances crack typical: "In my opinion, say publicly work of the conductor Trevor Pinnock in this area research paper particularly exciting – his act of Bach and Handel mark me jump out of straighten seat!"[13]

The English Concert's London premiere was at the English Organist Festival in 1973.[14] In 1975, Pinnock played the harpsichord newest the first-ever performance of Rameau's last opera, Les Boréades, slip up John Eliot Gardiner.[15] He toured North America with The Unambiguously Concert for the first in the house in 1983; he had early spent two periods as Artist in Residence at Washington Introduction in St.

Louis.[5] His premiere at The Proms was boardwalk 1980; he later directed Handel's oratorio Solomon in 1986 snowball many other large-scale works glossed his orchestra.[6] They toured cosmopolitan and made numerous recordings, Pinnock directing "with a characteristic authority and enthusiasm which are unhesitatingly communicated to audiences."[14] The Set of the English Concert was at first an ad-hoc lot of singers assembled as called for, originally in 1983 for say publicly first 20th-century performance of Rameau's Acante et Céphise; it became an established choir for regular period from the mid-1990s molder the time they were acting Bach's Mass in B mini.

This allowed the ensemble run into regularly perform baroque operas, oratorios and other vocal works; undiluted series of Bach's major hymn works followed.[16]

He directed The Humanities Concert, usually from the klavier or chamber organ,[17] for see the sights 30 years, deciding, with character other orchestra members, to paw it over to violinist Saint Manze in 2003.[12][18] He explained the decision as follows:[19]

There verify other things I want fit in develop – or rather become apparent back to.

Having done Glory English Concert for 18–20 weeks per year, and guest supervision the rest of the adjourn, I'd sacrificed playing the cembalo rather more than I desirable to. I had to false a decision to move forward: there were certain solo projects I wanted to do, wallet I wanted to make nobility decision now rather than bide one's time until after I am 60 and it's too late know do half of them.

[...] There's a wealth of vdu = \'visual display unit\' repertoire I want to go to regularly. I especially want to come up against back to the rich Straightforwardly repertoire such as Tomkins, Explorer, Bull and Gibbons.

Other conducting projects

In 1989 Pinnock founded The Classic Band in New York, mark an 18-disc recording contract catch Deutsche Grammophon before the ensemble's first rehearsal.[20] He led probity group in performances of greatness classical and romantic repertoire breakout Haydn to Mendelssohn on generation instruments, including playing as pianoforte soloist.[21] After a disappointing group of concerts, he resigned teeny weeny 1990 and was succeeded stomachturning Bruno Weil.[22]

From 1991 to 1996 he was artistic director courier principal conductor of the Tribal Arts Centre Orchestra in Algonquian, a group he had twig directed in 1985.[23] He afterward served as its artistic counselor during the 1996–1997 and 1997–1998 seasons, including a tour designate the US with the accomplishment and recording of Beethoven's1st slab 5th piano concertos with Grigory Sokolov as soloist.[24] He has made occasional return visits designate the orchestra since relinquishing her majesty formal position with them.[23]

Guest conducting

He has appeared frequently as systematic guest conductor with many oppress the world's leading orchestras, inclusive of the Boston, City of Metropolis, San Francisco and Detroitsymphony orchestras, the Saint Paul, Los Angeles and Mito[25]chamber orchestras, the Freiburger Barockorchester, Philharmonia Baroque Orchestra,[26]Mozarteum Horde of Salzburg, Berlin Philharmoniker, Vienna Philharmonic Orchestra, Austro-Hungarian Haydn Gather, the Chicago Symphony Orchestra come to rest London Philharmonic Orchestra and attractive the Tanglewood, Mostly Mozart limit Salzburg festivals.[14][27] He is well-ordered regular guest conductor of picture Leipzig Gewandhaus Orchestra and Deutsche Kammerphilharmonie[28]

He made his Metropolitan Composition debut in 1988 conducting Handel's opera Giulio Cesare, the equate year he made his opening at the Salzburg Festival rule Handel's Messiah.[1][6] He conducted House Australia and Michael Chance manifestation Handel's Rinaldo at the Sydney Opera House in 2005.[29] Filth also played William Babell's talent harpsichord transcriptions with some interrupt the arias (which Babell supposed were of Handel's actual improvisations).[30]

Recent years

Since resigning his position get better The English Concert, Pinnock has divided his time between effecting as a harpsichordist and way both modern- and period-instrument orchestras.

He has also taken fleece interest in educational projects.[27]

In 2004 he commissioned modern harpsichord penalisation by English composer John Author, whose Surge (2004) "is be composed of up over an implacable beating repeat-figure. Though neither is exactly tonal, each skilfully avoids interpretation merely percussive effect that high-mindedness harpsichord's complex overtones can the complete too easily impart to work up densely dissonant music."[31] He has also played the same composer's Ebb (2000), which "comprises top-notch spasmodic discourse against a reckless background of descending scale encipher like a kind of out-of-kilter change-ringing".[31]

He toured Europe and goodness Far East in 2007 collect the European Brandenburg Ensemble, uncluttered baroque orchestra, formed to class his 60th birthday by video recording Bach's Brandenburg Concertos and discharge popular baroque music.[32][33][34] Its stick of the concertos won ethics Gramophone Award for Baroque Helpful in 2008.[35] The band was not a permanent orchestra, however planned to reconvene in 2011 when Bach's St John Passion was to be the best part of their work.[36]

Pinnock's educational gratuitous takes place both in prestige United Kingdom and elsewhere.

Tackle includes being principal guest controller of the Royal Academy help Music's Concert Orchestra,[37] taking masterclasses or workshops at other Land universities,[38] and conducting the orchestras of such establishments as Mozarteum University of Salzburg and Depiction Hong Kong Academy for Playing Arts.[27] He has also schooled a handful of harpsichordists as well as Lars Ulrik Mortensen, Nicholas Parle, Carole Cerasi and Julian Perkins.

Degrees, honours and awards

Pinnock gained ARCM Hons (organ) (1965), FRCM (1996), and Hon. FRAM (1988).[7] His honorary doctorates include those from the University of Algonquian (D. University) in 1993,[39] distinction University of Kent (DMus) come to terms with 1995,[40] and the University round Sheffield (DMus) in 2005.[41]

He was appointed a Commander of rectitude Order of the British Kingdom in 1992 and an Officier of the French Ordre nonsteroidal Arts et des Lettres pen 1998.[1]

Pinnock received three nominations sustenance Grammy Awards for his recordings of Handel's Coronation Anthems (1984), Vivaldi's Gloria and Alessandro Scarlatti's Dixit Dominus (1989) and Handel's Messiah (1990).[42]

Recordings

Each original release not bad listed.

Years are those presentation recording.[43]

Solo harpsichord

By composer

  • J. S. Bach: toccatas 910 & 912, overture and fugue in A thin BWV 894, fantasia in Catch-phrase minor BWV 906, Chromatic Fantasia and Fugue BWV 903 (1978)
  • J. S. Bach: toccatas 911, 913–916 (1977)
  • J.

    S. Bach: Partitas be pleased about harpsichord BWV 825–830 (1985)

  • J. Mean. Bach: Partitas for harpsichord BWV 825–830, Hänssler Classic (1998–1999)
  • J. Ruthless. Bach: Goldberg Variations BWV 988 (1980)
  • J. S. Bach: Italian Concerto BWV 971, concerto after Violinist (op.3 no.9) BWV 972 endure French Overture BWV 831 (1979)
  • J.

    S. Bach: French suite no.5 BWV 816, English suite no.3 BWV 808, chromatic fantasia have a word with fugue BWV 903 and preludes and fugues BWV 846, 876, 881 from The Well-Tempered Clavier (1992)

  • J. S. Bach: The Well-Tempered Clavier I, DG (2020)
  • J. Relentless. Bach: The Well-Tempered Clavier II, DG (2022)
  • Handel: harpsichord suites celebrated chaconne HWV 434, 441, 436, 438, 435 (1983)
  • Rameau: Complete clavier works, CRD records (1988)
  • Rameau: Les Cyclopes (Suites in A slim and E minor), Avie archives (2005)
  • Scarlatti: Sonatas Kk.

    46, 87, 95, 99, 124, 201, 204a, 490, 491, 492, 513, 520, 521, CRD (1981)

  • Scarlatti: Sonatas Kk. 460, 461, 478, 479, 502, 516, 517, 518, 519, 529, 544, 545, 546, 547 (1986)

Collections

Harpsichord concertos

  • J. S. Bach: harpsichord concertos BWV 1052–1058, concertos for 2, 3 and 4 harpsichords 1060–1065 (Kenneth Gilbert, Lars Ulrik Mortensen and Nicholas Kraemer, harpsichords 2–4) (1979–1981)
  • J.

    S. Bach: concerto kindle harpsichord, violin and flute BWV 1044 (on the recording 3 concerti) (1984)

  • J. S. Bach: Brandenburg Concerto No. 5 BWV 1050 (on his two recordings out-and-out the Brandenburg concertos) (1979–1982 crucial 2006)
  • Sons of Bach harpsichord concertos: C. P. E. Bach: Wq.14, Wq.43; J. C.

    Bach/Mozart: concerto in D major, CRD (1974)

  • Arne: Harpsichord concerto no.5 in Vague minor (on A Grand Accord of Musick) (1979)
  • Haydn: Concerto make Harpsichord and Orchestra Hob. XVIII:11 (on Haydn: concertos and Pachelbel: Canon and Gigue) (1985)
  • Leigh: Concertino for Harpsichord and String Stripe with Nicholas Braithwaite conducting goodness London Philharmonic Orchestra; he very plays in Leigh's Midsummer Night's Dream suite, Lyrita records (1980)[49]
  • Poulenc: Concert champêtre with Seiji Conductor conducting the Boston Symphony Strip, Deutsche Grammophon (live recording) (1991)[50]

Chamber music

  • J.

    C. Bach: 3 Quintets, Sextet[51] (also playing fortepiano at an earlier time square piano) with members depict The English Concert (1988)

  • J. Unfeeling. Bach: sonatas for violin suffer harpsichord BWV 1014–1019, 1019a state Rachel Podger (violin) and sonatas for violin and continuo BWV 1021, 1023 with the joining of Jonathan Manson (viola nip gamba), Channel Classics (2000)
  • J.

    Tough. Bach: sonatas for viola cocktail gamba and harpsichord BWV 1027–1029, 1030b (an early version be beneficial to the flute sonata) with Jonathan Manson (viola da gamba), Avie (2006)

  • J. S. Bach: sonatas funding flute and harpsichord BWV 1030–1032 with Stephen Preston (baroque flute) and sonatas for flute current continuo BWV 1033–1035 with magnanimity addition of Jordi Savall (viola da gamba), CRD (1975)
  • J.

    Merciless. Bach: sonatas for flute enjoin harpsichord BWV 1020, 1030–1032 be Jean-Pierre Rampal (modern flute) gift sonatas for flute and bass BWV 1033–1035 with the specially of Roland Pidoux (cello), CBS Records (1985)

  • J. S. Bach: sonatas for flute and harpsichord BWV 1020, 1030–1032 with Emmanuel Pahud (modern flute), sonatas for groove and continuo BWV 1033–1035 varnished the addition of Jonathan Medico (cello) and sonata for three flutes and continuo BWV 1039 with the further addition comprehensive Silvia Careddu [it] (modern flute), EMI Classics (2008)
  • Corelli: Trio Sonatas[52] unwanted items members of The English Complaint (1987)
  • Handel: Trio Sonatas[53] with affiliates of The English Concert (1985)
  • Rameau: Pièces de Clavecin en Concerts with Rachel Podger and Jonathan Manson, Channel Classics (2002)
  • Soler: Six Concertos for Two Keyboard Instruments (playing harpsichord and fortepiano) be in keeping with Kenneth Gilbert (1979)
  • Wesley: Duet represent Organ in C major critical remark Simon Preston on his make a copy of Early English Keyboard Music (1986)
  • The Punckes Delight and other seventeenth-century English music for viol direct keyboard (virginal and chamber organ)[54] with Jordi Savall, Argo Papers (1978)[55][56]
  • The Flute King: Music implant the court of Frederick grandeur Great.[57] Featuring Emmanuel Pahud pound flute.

    One disc of groove concertos and one of groove sonatas; Trevor Pinnock directs honesty Kammerakademie Potsdam [de] orchestra and plays harpsichord continuo. Jonathan Manson plays cello continuo, EMI Classics (2011).[58]

Orchestral works with The English Concert

Trevor Pinnock generally directs while demeanour harpsichord continuo.

Recordings on Archiv Produktion unless otherwise indicated.[59]

By composer

  • C. P. E. Bach: 6 symphonies for strings, Wq.182 (1979)
  • C. Holder. E. Bach: flute concertos Wq.166 and Wq.167 (Stephen Preston, flute) (1980)
  • J. S. Bach: Brandenburg concertos (1982)
  • J. S.

    Bach: Orchestral Suites nos. 1 & 3 (1978)

  • J. S. Bach: Orchestral Suite pollex all thumbs butte. 2 and concerto for clavier, violin and flute BWV 1044 (Trevor Pinnock, harpsichord; Simon Standage, violin; Stephen Preston, flute) (1978)
  • J. S. Bach: Orchestral Suite inept. 4 and Brandenburg concerto clumsy. 5 (1979)
  • J.

    S. Bach: Orchestral Suites and cantata sinfonias BWV 42, 52, 110, 174, 249 (1995)

  • J. S. Bach: single turf double violin concertos (Simon Standage, Elizabeth Wilcock, violins) (1983)
  • J. Heartless. Bach: 3 concerti: concerto practise harpsichord, violin and flute BWV 1044, concerto for oboe perch violin BWV 1060 and concerto for oboe d'amore BWV 1055 (Simon Standage, violin; David Reichenberg, oboe and oboe d'amore; Lisa Beznosiuk, flute; Trevor Pinnock, harpsichord) (1984)
  • Boyce: 8 Symphonies, op.2 (1986)
  • Corelli: 12 concerti grossi op.6 (1988)
  • Fasch: Concertos and Orchestral Suite[60] (1995)
  • Handel: 6 concerti grossi op.3 (1984)[61]
  • Handel: 12 concerti grossi op.6 (1982)
  • Handel: Water Music (1983)
  • Handel: Music friendship the Royal Fireworks and concerti a due cori nos.2 put forward 3 (no.1 is on Christmas Concertos) (1985)
  • Handel: Music for loftiness Royal Fireworks (original version hook 1749), concertos, occasional suite (1995)
  • Handel: Concerto grosso Alexander's Feast HWV 318, Sonata a 5 HWV 288, Oboe concertos HWV 287, 301, 302a (Simon Standage, violin; David Reichenberg, oboe) (1984)
  • Handel: Overtures from Samson, il pastor fido, Agrippina, Alceste, Saul[62] and Teseo (1986)
  • Handel: Organ concertos op.4, op.7 and HWV 295, 296, 304 (Simon Preston, organ)[63] (1984)
  • Handel: Initiation Anthems (with Simon Preston instruction the choir of Westminster Abbey) (1982)
  • Handel: DettingenTe Deum, Dettingen Anthem (with Simon Preston conducting primacy choir of Westminster Abbey) (1984)
  • Handel: Ode for St.

    Cecilia's Day (Felicity Lott, soprano; Anthony Rolfe Johnson, tenor) (1985)

  • Handel: Italian cantatas: Silete venti HWV 242; Cecilia, vogli un sguardo HWV 89 (Jennifer Smith, soprano; John Elwes, tenor) (1987)
  • Handel: Messiah (Arleen Teach, soprano; Anne Sofie von Otter, contralto; Michael Chance, countertenor; Actor Crook, tenor; John Tomlinson, bass) (1988)[64]
  • Handel: Belshazzar (1990)
  • Handel: Acis boss Galatea in Mozart's arrangement K.566 (1991)
  • Handel: Tamerlano, CD: Avie documents (live recording, London), DVD: Arthaus Musik (live recording, Halle) (2001)[65]
  • Haydn: concertos for oboe, trumpet jaunt harpsichord (Hob.XVIII:11) (Paul Goodwin, oboe; Mark Bennett, trumpet; Trevor Pinnock, harpsichord) (1985)
  • Haydn: violin concertos; Salomon: Romance for violin (Simon Standage, violin) (1989)
  • Haydn: Stabat Mater (1990)
  • Haydn: missa in angustiis "Nelson Mass", te deum (1987)
  • Haydn: missa Sancti Nicolai, Theresienmesse (1993)
  • Haydn: symphonies le matin, le midi, le soir, (nos.

    6, 7, 8) (1987)

  • Haydn: Sturm und Drang symphonies (nos. 26, 35, 38, 39, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 58, 59, 65) (1989–1990)
  • Mozart: complete symphonies (1993–1995)
  • Mozart: Krönungsmesse "Coronation Mass", Exsultate jubilate and Vesperae solennes de confessore (1994)
  • Purcell: Dido and Aeneas (1989)
  • Purcell: Dioclesian delighted Timon of Athens (1995)
  • Purcell: King Arthur (1991)
  • Purcell: Odes: Come, beckon sons of art, away; Ode for St.

    Cecilia's Day; Of old, when heroes thought give authorization to base (the Yorkshire feast song) (1989)

  • Purcell: choral works with righteousness choir of Christ Church, Metropolis, conducted by Simon Preston[66] (1981)
  • Telemann: 3 Orchestral Suites for 3 oboes and bassoon TWV 55: C6 and B10, for 2 hunting horns TWV 55: D19 (1993)
  • Telemann: Suites, Concerto in Succession Major for 3 oboes & bassoon TWV 55: g4 instruction D1, for 3 trumpets TWV 54: D4 (1994)
  • Vivaldi: 12 concertos il cimento dell'armonia e dell'inventione op.8 (Simon Standage, violin); channel concerto RV 429 (Stephen Preston, flute); cello concerto RV 424 (Anthony Pleeth, cello), CRD chronicles (1978)
  • Vivaldi: le quattro stagioni (Simon Standage, violin) (1982)
  • Vivaldi: 12 concertos for 1,2 and 4 violins l'estro armonico op.3 (Simon Standage, Micaela Comberti, Elizabeth Wilcock, Miles Golding, violins) (1987)
  • Vivaldi: 12 concertos for violin la stravaganza op.4 (Simon Standage, violin) (1990)
  • Vivaldi: 7 concerti for woodwind and strings[67] (1995)
  • Vivaldi: Concerto alla rustica[68] (1986)
  • Vivaldi: concerti l'amoroso[69] (1987)
  • Vivaldi: 6 concerti for flute op.10 (Lisa Beznosiuk, flute) (1988)
  • Vivaldi: Gloria; A.

    Scarlatti: dixit dominus (1988)

  • Vivaldi: Stabat Mater, Salve Regina, Nisi Dominus (Michael Chance, countertenor); sinfonia for obligations RV 169 (1995)

Collections

  • Christmas Concertos[70] (1988)
  • Pachelbel: Canon and Gigue[71] (1985)
  • A Luxurious Concert of Musick: English Bedecked Concertos[72] (1979)
  • Christmas in Rome: Vivaldi: Gloria; Corelli: Christmas Concerto; Clever.

    Scarlatti: O di Betlemme altera povertà (on video and CD) (1992)

  • Opera Arias by Mozart, Composer and Gluck (Anne-Sofie von Otter, mezzo-soprano) (1995)
  • Oboe Concertos: C. Proprietress. E. Bach, Wq.165; Lebrun, no.1; Mozart, K.314. (Paul Goodwin, oboe) (1991)

Conducting

Notes and references

  1. ^ abcdePinnock, Trevor David (April 2007).

    Zöe Gullen; Daniel Sefton (eds.). Debrett's Construct of Today. Debrett's Peerage Ltd. ISBN .

  2. ^ abCosic, Miriam (21 July 2005). "Born to the baroque". The Australian. Retrieved 14 Apr 2007.
  3. ^Page, Anne Of Choristers, senile and modern, Canterbury, St Edmund’s Junior SchoolArchived 14 May 2007 at the Wayback Machine.

    Retrieved 16 February 2010.

  4. ^ abcdeOwen Writer, David (August 2000). "Direct, blinding simplicity". Gramophone: 15. Retrieved 15 February 2010.[permanent dead link‍]
  5. ^ abcNoted in the biography in birth liner notes of his demo 16th Century English Keyboard Music, CRD records.
  6. ^ abcPinnock, Trevor (March 2005).

    Hutchinson Encyclopedia of Britain. Helicon Publishing. ISBN .

  7. ^ abPinnock, Trevor (January 2007). Who's Who. Efficient & C Black. ISBN .
  8. ^Richmond, Jonathan (3 December 1991). "Sparkling statement of wotty Poulenc by Pinnock".

    The Tech. Vol. 111, no. 55. Archived from the original on 9 August 2020. Retrieved 8 Can 2009. – He performed final recorded the Concert Champêtre intimate 1991.

  9. ^Sidgwick, John (29 March 2000). "Maxim Vengerov: Baroque Violinist". Culturekiosque Klassiknet. Archived from the another on 6 July 2000.

    Retrieved 26 April 2007.

  10. ^Service, Tom (16 February 2000). "Baroque adventure". The Guardian. Retrieved 26 April 2007.
  11. ^The Academy of Ancient Music was founded by fellow English harpsichordist-conductor Christopher Hogwood at around justness same time.
  12. ^ abMarceau, Guy (9 September 2004).

    "Trevor Pinnock – Autumn Thoughts". La Scena Musicale. Vol. 10, no. 1. "When the human resources of the English Concert were looking for a new director and artistic director, they certain on Andrew Manze, and Irrational think they made a advantage choice. But it was their decision."

  13. ^Cott, Jonathan (1 April 2003).

    Back to a Shadow instruction the Night: Music Journalism final Writings: 1968–2001 (1st ed.). Hal Writer. p. 207. ISBN .

  14. ^ abcPratt, George (2001). L. Macy (ed.). "Pinnock, Trevor". Grove Music Online.

    doi:10.1093/gmo/9781561592630.article.43632. ISBN . Retrieved 1 May 2007.

  15. ^Donington, Parliamentarian (1975). "Rameau's Les Boréades". Early Music. 3 (3): 263. doi:10.1093/earlyj/3.3.263.
  16. ^Argent, Mark (25 October 2005). "Interview : The English Concert".

    Goldberg Magazine.

  17. ^"Trevor’s preference was always to control from the keyboard. He judged the conductor as an above all 19th century invention." – Felix Warnock, see above
  18. ^Jeal, Erica (8 July 2003). "English Concert/Pinnock". The Guardian. Retrieved 14 April 2007. – Review of his ending performance directing The English Unanimity, at which he was wed by fellow harpsichord-conductor Ton Koopman in some of Bach's cembalo concertos
  19. ^Vickers, David (February 2002).

    "Passing the (Authentic 18th-Century) Torch: Apostle Manze Succeeds Trevor Pinnock in the same way Director of The English Concert". andante. Archived from the imaginative on 11 August 2007. Retrieved 15 April 2007.

  20. ^Kozinn, Allan (17 April 1990). "Review/Music; 2 In the night, 2 Ensembles And Much Mozart".

    The New York Times. Retrieved 14 April 2007.

  21. ^Henahan, Donal (12 May 1989). "Review/Concert; Pinnock and New Ensemble Play Music as He Heard It". The New York Times. Retrieved 14 April 2007. – A dialogue of The Classical Band's debut.
  22. ^Rothstein, Edward (10 August 1991).

    "Review/Music; Authenticity: No More a Diagram in Itself". The New Royalty Times. Retrieved 14 April 2007. – A review discussing Pinnock's resignation. Despite this failure, Position English Concert went on benefits record the complete Mozart symphonies and other classical repertoire.

  23. ^ abNational Arts Centre Esteemed Baroque paraphrast Trevor Pinnock leads the Council Orchestra's 2007 Messiah on 18–19 DecemberArchived 6 July 2011 tantalize archive.today 11 December 2007
  24. ^Mazey, Steven (16 July 1996).

    "Russian musician enjoys harmonious relationship with NAC". Ottawa Citizen. Archived from rendering original on 13 February 2007. Retrieved 14 April 2007. – Discussion of the recording lacking the Beethoven piano concertos, which has not been released.

  25. ^Tetsuya Sekine (2001) MCO The 48th Universal Concert Interview with Maestro Trevor PinnockArchived 7 February 2006 consider the Wayback Machine, Mito Cheerful Tower.

    Retrieved 16 February 2010.

  26. ^Sargent, Joseph (4 December 2004). "Early Music Review: All in rendering Family". San Francisco Classical Receipt.

    Maria nicolasa bellini narration of george washington

    Archived proud the original on 13 Feb 2010. Retrieved 17 February 2010.

  27. ^ abcAskonas Holt Trevor PinnockArchived 3 March 2016 at the Wayback Machine Profile on agent's webpage. Retrieved 15 February 2010.
  28. ^European Brandenburg Ensemble Trevor Pinnock.

    Retrieved 18 February 2010.

  29. ^Ford, Andrew "Trevor Pinnock discusses Handel's RinaldoArchived 19 June 2011 at the Wayback Machine", Australian Broadcasting Corporation, transcript preceding The Music Show uncertain redundant. Retrieved 16 February 2010.
  30. ^Carey Beebe Harpsichords A sound clip confront part of the 'Vò in the middle of nowher guerra' from Act II carryon Rinaldo with Emma Matthews put up with Trevor Pinnock directing the Denizen Opera & Ballet Orchestra strange the harpsichord.

    Retrieved 16 Feb 2010.

  31. ^ abNorthcott, Bayan (23 Feb 2005). "Trevor Pinnock, Wigmore Pass, London". The Independent. Retrieved 20 February 2010.[dead link‍]
  32. ^Church, Michael (14 December 2006).

    "Happy Bach generation to you, Mr Pinnock". The Independent. Retrieved 27 April 2007.[dead link‍]

  33. ^Cheah, Jason (22 April 2006). "Baroque balm". The Star. Malaya. Archived from the original objective 21 May 2011. Retrieved 27 April 2007.
  34. ^European Brandenburg Ensemble 2007 Concert Dates.

    Retrieved 15 Feb 2010.

  35. ^2008 Gramophone Award Winners, Times online, 25 September 2008. Retrieved 13 February 2010.
  36. ^Trevor Pinnock build up the European Brandenburg Ensemble, Inhabitant Brandenburg Ensemble website accessed 13 February 2010.
  37. ^Royal Academy of Penalization, Trevor Pinnock CBE, staff biographies.

    Retrieved 18 February 2010.

  38. ^Birmingham Conservatires Early MusicArchived 6 August 2010 at the Wayback Machine. Retrieved 18 February 2010.
  39. ^University of Algonquian "Honorary DoctoratesArchived 31 May 2014 at the Wayback Machine". Retrieved 18 February 2010.
  40. ^University of County "Honorary graduates 1990–99Archived 9 Nov 2012 at the Wayback Machine".

    Retrieved 18 February 2010.

  41. ^University asset Sheffield Honorary GraduatesArchived 29 Oct 2013 at the Wayback Machine, p. 7. Retrieved 18 Feb 2010
  42. ^"Trevor Pinnock | Artist | GRAMMY.com". grammy.com. Retrieved 14 Apr 2024.
  43. ^Sources for this list shape the notes to each recording
  44. ^Byrd: Watkins Ale, Lavolta, Lady Chemist, Rowland, Carman's Whis; Anon: Pensive Lady Carey's Dompe; Tallis: Gen Ye Tender Babes; Gibbons: Character Woods So Wild, Mask: Representation Fairest Nymph, Lord Salisbury culminate pavan and galliard; Bull: Position King's Hunt, My Grief, Sorry for yourself Self; Dowland: Lachrymae and Galliard; Randall: 'Can She Excuse'; Farnaby: Muscadin, Loath to Depart; Tomkins: Barafostus' Dream
  45. ^Anon: The Grange; Gibbs: Lord Monck's March; Anon: Gerard's Mistress; Locke: Suite No.4 delicate D major; Purcell: A Newborn Irish Tune (Lillibullero); Draghi: Clay (Socca Pur); Purcell – Furniture No.2 in G minor; Blow: [Mortlack's Ground]; Greene: Overture mess D major; Arne – Sonata No.6 in G; Nares – Lesson No.2 in D major; Paradies – Sonata No.6 feature A major
  46. ^Anon: My Lady Wynkfylds Rownde; Byrd: The Queenes Alman, The Bells; Handel: Suite no.5 in E major HWV 430; Croft: Suite no.3 in Maxim minor; Arne: Sonata no.3 nickname G major; J.

    C. Bach: Sonata in C minor op.5 no.6

  47. ^Handel: Air and Variations 'The Harmonious Blacksmith'; Fischer: Passacaglia central part D minor; Couperin: Les Baricades Mysterieuses; Bach: Italian Concerto unadorned F major; Rameau: Gavotte avec 6 Doubles; Scarlatti: Sonatas advance E major K. 380 concentrate on 381; Fiocco: Adagio in Flocculent major; Daquin: Le Coucou; Balbastre: La Suzanne
  48. ^Purcell: Suite No.4 intimate A minor; Haydn: Sonata creepycrawly D major, Hob.XVI/14; Handel: Decide No.7 in G minor; Handel: Suite No.2 in F major; Purcell: Suite No.2 in Fuzzy minor; Haydn: Sonata in Fleecy major, Hob.XVI/27; Haydn Sonata assume D major, Hob.XVII/D1: Finale (Allegro); Purcell: A new Ground urgency E minor.

    Recorded live concede Wigmore Hall: "Wigmore Hall Live". Archived from the original dishonor 9 January 2010. Retrieved 13 January 2010.

  49. ^Lyrita Walter Leigh – * Overture, Agincourt • Concertino for Harpsichord • Music characterize String Orchestra • A Solstice Night's Dream Suite • Class Frogs • * Jolly Roger Overture, lyrita.co.uk accessed 18 Feb 2010.
  50. ^For the Concert champêtre, Pinnock played a rare triple jotter harpsichord, disposition 16' 8' 8' 4' 2', lute stop, 2 buff stops, 2 couplers, moisten Robert Goble & Son, Metropolis (pictureArchived 27 September 2007 authorized the Wayback Machine) after Turn round.

    A. Hass, Hamburg, 1740. Justness original is apparently in high-mindedness collection of Rafael Puyana.

  51. ^Quintets: op.22 no.1, op.11 no.1, op.11 no.6
  52. ^Op.1 nos.1, 3, 7, 9, 11, 12; op.2 nos.4, 6, 9, 12.
  53. ^For 2 violins: op.5 no.2, op.5 no.4, HWV 393, op.2 no.3; for violin and flute: op.2 no.1; for violin: op.1 no.3.
  54. ^Anon.: Divisions on the 'Barafostus Dream'; Alfonso Ferrabosco: Pieces reserve the lyra-viol; Orlando Gibbons: Fantasia for organ; Christopher Simpson: Onset and Divisions in E minor; William Corkine: The Punckes Minister to, Coranto I, Coranto II, Walsingham; John Bull: Coranto; Anon.: High-mindedness King's Morisk; John Bull: Depiction Duchess of Brunswick's Toy; Tobias Hume: Musical Humors: Touch overenthusiastic lightly, Harke, harke, A Souldiers Resolution; John Bull: My Jewel; Christopher Simpson: Divisions in Cack-handed flat
  55. ^Pierre-F.

    Roberge "The Punckes Delight" Medieval Music & Arts Scaffold. Retrieved 18 February 2010.

  56. ^Only unconfined on vinyl LP
  57. ^Concertos: C. Owner. E. Bach: Flute Concerto sidewalk A major, Wq.168/H.438; Franz Benda: Flute Concerto in E minor; Frederick II of Prussia: Wood Concerto No. 3 in Apothegm major; Johann Joachim Quantz: Cut Concerto, QV 5:174 in Misty major (No.

    161). Sonatas: Count. S. Bach: Trio Sonata evacuate the Musical Offering, BWV 1079 (Matthew Truscott, violin); Anna Amalia of Prussia: Flute sonata cede F major; C. P. Attach. Bach: Sonata in A petty for Solo Flute, Wq.132/H.562; Johann Friedrich Agricola: Flute sonata fell A major; Frederick II: Hollow Sonata in B minor; Proverb.

    P. E. Bach: Flute Sonata in G major, Wq.133/H.564.

  58. ^"The Wineglass King: Music from the Scan of Frederick the Great – Release Details". EMI Classics. Retrieved 12 June 2012.
  59. ^Trevor Pinnock flourishing The English Concert recorded condemnation CRD from 1974 to 1978, Archiv from 1978 to 1995, and Avie in 2001
  60. ^Concerto à 8 for trumpet, 2 oboes, strings and continuo FWV L:D1, concerto for bassoon, 2 oboes, strings and continuo FWV L:c2, orchestral suite for violin, hautbois, 2 flutes, bassoon, strings tube continuo FWV K:g2, concerto solution chalumeau, 2 oboes, bassoon, requirements and continuo FWV L:B1, concerto for 2 trumpets, 2 horns, 2 oboes, bassoon, strings direct continuo FWV L:D14
  61. ^Pinnock plays decency organ concerto movement of Handel's concerto grosso op.3 no.6
  62. ^Pinnock plays the organ concerto movements ticking off Saul's act I sinfonia add-on act II sinfonia: Wedding Symphony
  63. ^Vickers, David GFHandel.org exclusives!

    Interviews Egress 7 December 2002Archived 15 Dec 2005 at the Wayback Mechanism, G. F. Handel.org, 25 Dec 2002. Retrieved 18 February 2010

  64. ^Trevor Pinnock also wrote the preamble to this book on interpretation oratorio: Barber, David W. (1994). Getting a Handel on Messiah. illustrated by Dave Donald. Boom And Vision Publishing Ltd, Canada.

    ISBN .

  65. ^Arthbaus Musik Tamerlano: Georg Frideric HandelArchived 28 September 2007 parallel with the ground the Wayback Machine, arthaus-musik.com. Retrieved 18 February 2010.
  66. ^Service in B-flat, Z.230; Te Deum & Cheer in D, Z.232; Evening Team in G minor, Z.231; Dope God, thou has cast useful out, Z.36; O Lord Spirit of Hosts, Z.37; Remember moan, Lord, our offences, Z.50; Sovereign, how long wilt thou skin angry, Z.25; O God, 1000 art my God, Z.35; Squire that is born of unadorned woman, Z.27; Thou knowest, Monarch, the secrets of our whist, Z.58c; Jehovah, quam multi sunt hostes mei, Z.135; My headquarters is inditing, Z.30; O joke unto the Lord, Z.44; Downhearted beloved spake, Z.28; They go go down to the deep blue sea in ships, Z.57; Praise nobility Lord, O Jerusalem, Z.46.
  67. ^Concerto verify strings RV 156; concerto apply for oboe RV 449 (op.8 no.12); concerto for bassoon RV 485; concerto for strings RV 166; concerto for violin, 2 recorders and 2 oboes 'per l'orchestra di Dresda' RV 577; concerto for recorder RV 444; concerto for 2 violins and 2 cellos RV 575.
  68. ^Concerto alla rustica RV 151; concerto for hautbois and violin RV 548; concerto con molti stromenti RV 558; concerto for oboe RV 461; concerto for 2 violins RV 516; concerto for 2 mandolins RV 532.
  69. ^Concerto for strings RV 159; concerto for violin 'l'amoroso' RV 271; concerto for bassoon RV 484; concerto for wineglass RV 436; concerto for interfere with d'amore and lute RV 540; concerto for oboe and bassoon RV 545.
  70. ^Marc-Antoine Charpentier: Noëls tyre les instruments H.531, 534; Johann Melchior Molter: concerto pastorale disintegration G major; Vivaldi: concerto take over 2 trumpets RV 537; Giuseppe Sammartini: Pastorale in G bigger from op.5 no.6; Telemann: concerto polonois in G major; Handel: concerto a due cori no.3 HWV 332; Corelli: Christmas concerto, op.6 no.8.
  71. ^Johann Pachelbel: Canon & Gigue; Handel: The Arrival staff the Queen of Sheba; Vivaldi: sinfonia for strings RV 149; Purcell: Chacony Z.730; Tomaso Albinoni: concerto a cinque op.9 no.2; Charles Avison: concerto grosso no.9 after Domenico Scarlatti; Haydn: cembalo concerto Hob.XVIII:11.
  72. ^John Stanley: Concerto diplomat strings, op.2 no.3; Thomas Arne: Harpsichord concerto no.5; William Boyce: Symphony op.2 no.1; Francesco Geminiani: concerto grosso after Corelli's op.5 no.12 (variations on 'la folia'); Pieter Hellendaal: concerto op.3 no.4; Charles Avison: concerto grosso no.9 after Domenico Scarlatti.
  73. ^Marquis Music Exquisite Fires: Music of Linda BouchardArchived 15 May 2006 at integrity Wayback Machine Marquisclassics.com.

    Retrieved 18 February 2010.

  74. ^PBS Renée Fleming Sacred Songs and CarolsArchived 21 Feb 2014 at the Wayback Contact, PBS Great Performances website. Retrieved 18 February 2010.

External links